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Musical Design in Aeschylean Theater
12 references·13 citing·34 second hop
Musical Design in Aeschylean Theater (1984)Musical Design in Aeschylean TheaterThe Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy (1980)The Stagecraft of Aeschylus: …Kassandra's Glossolalia (1975)Kassandra's GlossolaliaThe Oresteia. A Study in Language and Structure (1972)The Oresteia. A Study in Lang…Aeschylean Silences and Silences in Aeschylus (1972)Aeschylean Silences and Silen…The Greek Chorus (1971)The Greek ChorusThe Origin and Early Form of Greek Tragedy (1965)The Origin and Early Form of …The Danaid Trilogy of Aeschylus (1961)The Danaid Trilogy of Aeschyl…Form and meaning in drama (1956)Form and meaning in dramaThe Dramatic Festivals of Athens (1955)The Dramatic Festivals of Ath…The dramatic festivals of Athens (1953)The dramatic festivals of Ath…The Lyric Metres of Greek Drama (1951)The Lyric Metres of Greek Dra…Dithyramb, tragedy and comedy (1927)Dithyramb, tragedy and comedyTheatrical Reenactment in Pindar and Aeschylus (2019)Theatrical Reenactment in Pin…The Musical Setting of Ancient Greek Texts (2018)The Musical Setting of Ancien…Music, Text, and Culture in Ancient Greece (2018)Music, Text, and Culture in A…Epicentric Tonality and the Greek Lyric Tradition (2018)Epicentric Tonality and the G…The Mortal Voice in the Tragedies of Aeschylus (2017)The Mortal Voice in the Trage…Noise, Music, Speech: The Representation of Lament in Greek Tragedy (2017)Noise, Music, Speech: The Rep…Monody and Dramatic Form in Late Euripides (2017)Monody and Dramatic Form in L…The Look of Lyric: Greek Song and the Visual (2016)The Look of Lyric: Greek Song…The Talking Greeks (2005)The Talking GreeksCompelling Reasons to Sing: The Music of Taziyeh (2005)Compelling Reasons to Sing: T…Choral Identity in Sophocles' Oedipus Coloneus (2005)Choral Identity in Sophocles'…Brilliant Dynasts: Power and Politics in the "Oresteia" (1995)Brilliant Dynasts: Power and …Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy (1989)Song, Ritual, and Commemorati…The Logic of Practice (1990)The Cambridge History of Greek and Roman Political Thought (2000)The competence of theatre audiences in fifth- and fourth-century Athens (2006)The Interpretation of Cultures (2017)Selections from the prison notebooks (2020)Powers of Horror: An Essay on Abjection (1984)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)Archive Feelings: A Theory of Greek Tragedy (2020)Choral Constructions in Greek Culture (2021)Tragedy and Postcolonial Literature (2021)The Greeks and the Irrational (1951)On The Language Instinct (1994)The Cultural Origins of Human Cognition (2000)Right Reason in Plato and Aristotle: On the Meaning of Logos (2014)Dionysius of Halicarnassus and Augustan Rome (2018)Demosthenes on Liturgies: a Note (1967)Monarchies and monarchic Ideas (1984)The Great Dionysia and civic ideology (1987)Aristotle's poetics (1990)Solon and Early Greek Poetry (2005)Nietzsche on Tragedy (2016)A Portrait of The Artist as a Young Woman (1982)Sophocles: Oedipus the King (2018)Ethics, ethology, terminology: Iliadic anger and the cross-cultural study of emotion (2004)Women and the Comic Plot in Menander (2008)Cassandra and the Poetics of Prophecy in Greek and Latin Literature (2019)Law, custom and myth: Aspects of the social position of women in classical Athens (1980)Fifth-century tragedy and Comedy: Asynkrisis (1986)Artemis and Iphigeneia (1983)Time in Ancient Greek Literature (2007)Sons of the Gods, Children of Earth (2019)Religion and Politics in Aeschylus'Orestela (1993)Some Fifth-Century Masking Conventions (1999)
this work references cited by second hop

References

  • 1955The Dramatic Festivals of Athens445 cited
  • 1927Dithyramb, tragedy and comedy374 cited
  • 1953The dramatic festivals of Athens222 cited
  • 1972The Oresteia. A Study in Language and Structure202 cited
  • 1972Aeschylean Silences and Silences in Aeschylus200 cited
  • 1980The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy198 cited
  • 1951The Lyric Metres of Greek Drama112 cited
  • 1965The Origin and Early Form of Greek Tragedy83 cited
  • 1956Form and meaning in drama58 cited
  • 1971The Greek Chorus49 cited
  • 1961The Danaid Trilogy of Aeschylus44 cited
  • 1975Kassandra's Glossolalia19 cited

Cited by

  • 1995Brilliant Dynasts: Power and Politics in the "Oresteia"283 cited
  • 2005The Talking Greeks142 cited
  • 2017The Mortal Voice in the Tragedies of Aeschylus114 cited
  • 2016The Look of Lyric: Greek Song and the Visual75 cited
  • 2018Music, Text, and Culture in Ancient Greece

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72 cited
  • 2017Noise, Music, Speech: The Representation of Lament in Greek Tragedy54 cited
  • 1989Song, Ritual, and Commemoration in Early Greek Poetry and Tragedy33 cited
  • 2018The Musical Setting of Ancient Greek Texts28 cited
  • 2017Monody and Dramatic Form in Late Euripides23 cited
  • 2005Choral Identity in Sophocles' Oedipus Coloneus21 cited
  • 2019Theatrical Reenactment in Pindar and Aeschylus19 cited
  • 2018Epicentric Tonality and the Greek Lyric Tradition6 cited
  • 2005Compelling Reasons to Sing: The Music of Taziyeh6 cited