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The African American theatre directory, 1816-1960: a comprehensive guide to early black theatre organizations, companies, theatres, and performing groups
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The African American theatre directory, 1816-1960: a comprehensive guide to early black theatre organizations, companies, theatres, and performing groups (1997)The African American theatre directory, 1…The Routledge Companion to African American Theatre and Performance (2018)The Routledge Companion to Af…Toward a “Modernizing” Hybridity: McAdoo’s Jubilee Singers, McAdoo’s Minstrels, and Racial Uplift Politics in South Africa, 1890–1898 (2014)Toward a “Modernizing” Hybrid…The Negro Little Theatre Movement (2012)The Negro Little Theatre Move…The Cambridge Companion to African American Theatre (2012)The Cambridge Companion to Af…Spectacles of whiteness from Adrienne Kennedy to Suzan-Lori Parks (2012)Spectacles of whiteness from …Slavery, performance, and the design of African American theatre (2012)Slavery, performance, and the…Fragmented musicals and 1970s soul aesthetic (2012)Fragmented musicals and 1970s…Early black Americans on Broadway (2012)Early black Americans on Broa…Drama in the Harlem Renaissance (2012)Drama in the Harlem Renaissan…A Soliloquy “Lately Spoken at the African Theatre”: Race and the Public Sphere in New York City, 1821 (2001)A Soliloquy “Lately Spoken at…Modernism and the Harlem Renaissance (1987)Bodies in Dissent (2006)The scene of Harlem cabaret: race, sexuality, performance (2010)The Poetry of Slavery (2016)Embodied Discrimination and “Mutilated Historicity”: Archiving Black Women’s Bodies in the Huntington Collection (2020)The Cambridge Companion to American Theatre since 1945 (2021)Gotham: a history of New York City to 1898 (1999)Stuart Hall: Critical Dialogues in Cultural Studies (2006)The Revision ofObi; or, Three‐Finger'd Jackand the Jacobin Repudiation of Sentimentality (2006)Revising the Colonial Caribbean: “Three-Fingered Jack” and the Jamaican Pantomime (2012)The Wages of Whiteness (2017)Caribbean Picturesque from William Beckford to Contemporary Tourism (2020)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Projecting Modernity: Sol Plaatje’s Touring Cinema Exhibition in 1920s South Africa (2018)Righteous Discontent: The Women's Movement in the Black Baptist Church, 1880-1920 (1993)The Harlem renaissance in black and white (1996)Black on White: Black Writers on What It Means to Be White (1998)The Long Revolution (1961)Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (1998)In the Break: The Aesthetics of the Black Radical Tradition (2004)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Whiteness as Property (1993)Cities of the dead: circum-Atlantic performance (1996)The Stanislavski System: The Professional Training of an Actor (1965)Shakespeare in Sable: A History of Black Shakespearean Actors (1985)Ira Aldridge: The Early Years, 1807-1833 (2011)Pierre Bourdieu and actor training: towards decolonising and decentering actor training pedagogies (2022)
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Cited by

  • 2012The Cambridge Companion to African American Theatre55 cited
  • 2001A Soliloquy “Lately Spoken at the African Theatre”: Race and the Public Sphere in New York City, 182153 cited
  • 2018The Routledge Companion to African American Theatre and Performance11 cited
  • 2012Fragmented musicals and 1970s soul aesthetic10 cited
  • 2012Drama in the Harlem Renaissance6 cited
  • 2012The Negro Little Theatre Movement6 cited
  • 2014Toward a “Modernizing” Hybridity: McAdoo’s Jubilee Singers, McAdoo’s Minstrels, and Racial Uplift Politics in South Africa, 1890–18985 cited
  • 2012Slavery, performance, and the design of African American theatre5 cited
  • 2012Early black Americans on Broadway2 cited
  • 2012Spectacles of whiteness from Adrienne Kennedy to Suzan-Lori Parks2 cited

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