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This title traces the history of the feminist engagement with soap opera, using a wide range of sources from programme publicity to interviews with key soap-opera scholars. The book reveals that feminist scholarship on soap opera was a significant site in which the identity ‘feminist intellectual’ was produced in dialogue with her imagined other, the soap-opera-watching housewife. The book integrates personal autobiographical accounts within a broader history which traces both the move from ‘women's liberation’ to ‘feminism’, and the acceptance of soap opera as a serious object of study.
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