Music Criticism in Nineteenth-Century France: La Revue et gazette musicale de Paris 1834–80

Abstract

Acknowledgements List of abbreviations Introduction 1. Crosscurrents in early nineteenth-century criticism 2. The rise of the specialist press from 1827 3. Early music 4. The Austro-German tradition I: the reception of Gluck, Haydn and Mozart 5. The Austro-German tradition II: the reception of Beethoven 6. The Austro-German tradition III: Weber, Schubert and Mendelssohn 7. Contemporary music I: piano music 8. Contemporary music II: chamber and symphonic music 9. Contemporary music III: opera 10. Contemporary music IV: the music of the future 11. Contemporary music V: Berlioz 12. Conclusion Appendix 1. Principal contributors to the Gazette Appendix 2. Personalia Appendix 3. Contes, nouvelles, dialogues and other short literature in Schlesinger's Gazette musicale, 1834-46 Appendix 4. Publishing history of the Gazette Appendix 5. Pseudonyms and attributions Bibliography Index of musical works cited General index.

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