Intercultural communication and creative practice: music, dance, and women's cultural identity

Abstract

Intercultural Communication and Creative Practice: Dance, Music and Women's Cultural Identity by Laura Lengel Preface by Lengel Intercultural Communication and Creative Practice by Laura Lengel Voicing the Unspoken: 'Interculturally' Connecting Race, Gender and Nation in Women's Creative Practice by Lliane Loots Moving Contexts: Dance and Difference in the 21st Century by Ann Cooper Albright Claiming the Empire: Women's Marginalization in 19th Century Ballet and Opera by Margaret Lindley Dance of the Red Dog: Na Wahine Kumu Hula and Hawai'ian Cultural Identity by Fay Yokomizo Akindes The Feminist vs. the Dancing Girl: The Devadasis, the Indian Women's Movement and a Lost Opportunity by Teresa Hubel Corporeality and Discipline of the Performing Body: Women, Representation, and International Ballet Companies by Ginger Bihn and Paige P. Edley Vietnamese Women Performing Artists: Making a Song and Dance Out of Patriarchal Submission by Ly Hoang Nguyen Rudaali (The Crier): Performing the Music of Mourning by Priya Kapoor Romanian Dirge: Women's Ritualistic Narratives of Life and Death as Cultural Construction of Identity in Southeastern Europe by Noemi Marin Gender, Genre, Race and Identity in Barbadian Female Musicianship by Keri McClean Shifting the Performance Characteristics of Opera and the Status Quo for Women in China by Xiaoyu Xiao and D. Ray Heisey Marriage Customs as Creative Practice among Yemeni Women by Margaret Curtis Women's Stages/Women's Management: An International Study by Sharon Foley Shifting Matriarchal Traditions to the Mainstream: Articulating Ethnicity, Gender, Nation and Cultural Identity through Creative Practice by Laura Lengel

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