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Mediaeval Painters’ Materials and Techniques: The Montpellier Liber diversarum arcium
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  • 2020Plating and Surface Treatments on Ancient Metalwork40 cited
  • 2021Organic colorants based on lac dye and brazilwood as markers for a chronology and geography of medieval scriptoria: a chemometrics approach37 cited
  • 2022Between past and future: Advanced studies of ancient colours to safeguard cultural heritage and new sustainable applications29 cited
  • 2020A 1000-year-old mystery solved: Unlocking the molecular structure for the medieval blue from Chrozophora tinctoria , also known as folium28 cited
  • 2018The book on how to make all the colour paints for illuminating books: unravelling a Portuguese Hebrew illuminators’ manual27 cited
  • 2016Singing with light: an interdisciplinary study on the medieval Ajuda Songbook21 cited
  • 2023The making of black inks in an Arabic treatise by al-Qalalūsī dated from the 13th c.: reproduction and characterisation of iron-gall ink recipes16 cited
  • 2019The conservation of medieval manuscript illuminations: A chemical perspective16 cited
  • 2019Organic red colorants in Islamic manuscripts (12th-15th c.) produced in al-Andalus, part 115 cited
  • 2024Monitoring the aging process in egg-tempera paint films14 cited
  • 2016Beatus manuscripts under the microscope: the Alcobaça Beatus and the Iberian Cistercian tradition revisited13 cited
  • 2018Sound Practice and Practical Conservation Recipes as Described in Greek Post-Byzantine Painters’ Manuals12 cited

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  • 2016Through the eyes of science and art: a fourteenth-century winter breviary from Alcobaça scriptorium10 cited
  • 2024Diving into micro- and macroscopic properties of egg-tempera paint based on Sienna pigment10 cited
  • 2016Gilding in Spanish panel painting from the fifteenth and early sixteenth centuries10 cited
  • 2023Degradation of Fourteenth-century Mordant Gilding Layers: Synchrotron-based Microfocus XRF, XRD, and XANES Analyses of Two Paintings by Pietro Lorenzetti7 cited