SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
History, imagination and the performance of music
0 references·16 citing·25 second hop
History, imagination and the performance of music (2004)History, imagination and the performance …Analysis of Contemporary Violin Recordings of 19th Century Repertoire: Identifying Trends and Impacts (2018)Analysis of Contemporary Viol…‘Walking Backwards into the Future’: Music, Museum Culture, and the New Zealand and South Seas Exhibition (1889–1890) (2018)‘Walking Backwards into the F…Vocal performance in the twentieth century and beyond (2012)Vocal performance in the twen…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the Renaissance: an overview (2012)Performance in the Renaissanc…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…The plague, a metal monster, and the wonder of Wanda: in pursuit of the performance style (2011)The plague, a metal monster, …A BaroqueTräumerei: The Performance and Perception of two Violin Renditions (2010)A BaroqueTräumerei: The Perfo…Staging a Handel opera (2006)Staging a Handel operaThe Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Text and act: essays on music and performance (1996)Capturing sound: how technology has changed music (2005)The art of gesture: The practices and principles of 18th century acting (1987)Handel, tercentenary collection (1988)The Oxford illustrated history of opera (1995)‘Too much music’: the media of opera (2012)Opera and modes of theatrical production (2012)The operatic event: opera houses and opera audiences (2012)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific (1993)The Birth of the Museum: History, Theory, Politics (1995)Text and Act: Essays on Music and Performance (1996)Playing with History (2002)Performing music in the age of recording (2004)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Music in the Early Colonial World (2019)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2006Staging a Handel opera24 cited
  • 2012The performer and the composer10 cited
  • 2018Analysis of Contemporary Violin Recordings of 19th Century Repertoire: Identifying Trends and Impacts9 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2010A BaroqueTräumerei: The Performance and Perception of two Violin Renditions6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2018‘Walking Backwards into the Future’: Music, Museum Culture, and the New Zealand and South Seas Exhibition (1889–1890)5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited
  • 2012Performance in the Renaissance: an overview2 cited
  • 2011The plague, a metal monster, and the wonder of Wanda: in pursuit of the performance style

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2 cited
  • 2012Vocal performance in the twentieth century and beyond2 cited