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Christ to Coke: how image becomes icon
0 references·10 citing·43 second hop
Christ to Coke: how image becomes icon (2012)Christ to Coke: how image becomes iconLonely or not? Masterpieces in the museum, then and now (2019)Lonely or not? Masterpieces i…The Influence-Network Model of the Photojournalistic Icon (2018)The Influence-Network Model o…Superman: The Persistence of an American Icon (2017)Superman: The Persistence of …Documenting Media Art: An Archive and Bridging Thesaurus for MediaArtHistories (2017)Documenting Media Art: An Arc…The Complex and Multifarious Expressions of Digital Art and Its Impact on Archives and Humanities (2016)The Complex and Multifarious …“The image speaks for itself” – or does it? Instant news icons, impromptu publics, and the 2015 European “refugee crisis” (2016)“The image speaks for itself”…Iconic designs: 50 stories about 50 things (2015)Iconic designs: 50 stories ab…Sign of Claes Jansz Visscher and his Progeny (2014)Sign of Claes Jansz Visscher …Icons and archives: the Orpen lithograph in the context of 19th-century depictions of rock paintings (2014)Icons and archives: the Orpen…Appropriating Iconicity: Why Tank Man Still Matters (2014)Appropriating Iconicity: Why …The McDonaldization of Society (1996)How brands become icons: the principles of cultural branding (2005)The Work of Art in the Age of Mechanical Reproduction (2018)Selling Time: Multiple Temporalities in the Promotion of Danish Design Classics (2021)When Topology Trumped Topography: Celebrating 90 Years of Beck’s Underground Map (2021)The Social Life of Things (1986)Silencing the past: power and the production of history (1996)Camera Lucida: Reflections on Photography (2001)A survey of computational methods for iconic image analysis (2022)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Theories of the Archive from Across the Disciplines (2004)Ages for the Middle Stone Age of Southern Africa: Implications for Human Behavior and Dispersal (2008)Image-Makers (2019)Image-Makers: The Social Context of a Hunter-Gatherer Ritual (2019)Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation (2024)THE POWER OF IMAGES (1989)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Picture Theory: Essays on Verbal and Visual Representation (1995)Distant Suffering (1999)The Spectatorship of Suffering (2006)The Logic of Connective Action (2013)Conflict imagery in a connective environment: audiovisual content on Twitter following the 2015/2016 terror attacks in Paris and Brussels (2017)The Iconic Image in a Digital Age (2017)Murder fantasies in memes: fascist aesthetics of death threats and the banalization of white supremacist violence (2021)On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1986)Hamlet on the holodeck: the future of narrative in cyberspace (1997)The future of nostalgia (2001)Is There a Comic Book Industry? (2018)Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Picture theory: essays on verbal and visual representation (1994)The Language of New Media (2002)Virtual Art: From Illusion to Immersion (2003)Infrastructures for Digital Arts Teaching and Research in Higher Education (LeFo): The “Connecting New Media Art Archives Worldwide” Initiative (2023)The Structure of Foreign News (1965)The Symbolic Uses of Politics. (1965)Memory as a Freeze-Frame: Extracts from Looking at War (2003)Picturing a quality local news visual: Perspectives from non-specialist journalists (2024)Civilizing Rituals: Inside Public Art Museums. (1998)Superstar Museums: An Economic Analysis (1998)Museum Memories (1999)Monumenta cartographica Neerlandica (1986)Levenspelgrimage of vrome wandeling? Claes Janszoon Visscher en zijn serie Plaisante Plaetsen (1993)The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450- 1700 (1994)
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Cited by

  • 2017Superman: The Persistence of an American Icon52 cited
  • 2016“The image speaks for itself” – or does it? Instant news icons, impromptu publics, and the 2015 European “refugee crisis”50 cited
  • 2018The Influence-Network Model of the Photojournalistic Icon28 cited
  • 2014Appropriating Iconicity: Why Tank Man Still Matters21 cited
  • 2016The Complex and Multifarious Expressions of Digital Art and Its Impact on Archives and Humanities19 cited
  • 2014Icons and archives: the Orpen lithograph in the context of 19th-century depictions of rock paintings15 cited
  • 2017Documenting Media Art: An Archive and Bridging Thesaurus for MediaArtHistories8 cited
  • 2015Iconic designs: 50 stories about 50 things4 cited
  • 2019Lonely or not? Masterpieces in the museum, then and now3 cited
  • 2014Sign of Claes Jansz Visscher and his Progeny1 cited

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