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Cited by

• 2009Rites in the dark? An evaluation of the current evidence for ritual areas at Magdalenian cave sites72 cited
• 2007Fossil Bear Bones in the Belgian Upper Paleolithic: The Possibility of a Proto Bear-Ceremonialism61 cited
• 2010Prehistoric Rock Art: Polemics and Progress46 cited
• 2013Paleolithic Art: A Cultural History38 cited
• 2009Thinking with Animals in Upper Palaeolithic Rock Art37 cited
• 2008The Visual Dynamics of Upper Palaeolithic Cave Art34 cited
• 2000Visions of Dynamic Power: Archaic Rock-paintings, Altered States of Consciousness and ‘Clever Men’ in Western Arnhem Lane (NT), Australia30 cited
• 2006The Evolution of Theory, Method and Technique in Southern African Rock Art Research29 cited
• 2002The invention of hunter-gatherers in seventeenth-century Europe26 cited
• 2006Artifacts that speak for themselves: Sounds underfoot in Mesoamerica23 cited
• 2012The Origins of the Concept of ‘Palaeolithic Art’: Theoretical Roots of an Idea21 cited
• 2011Analogical Evidence and Shamanism in Archaeological Interpretation: South African and European Palaeolithic Rock Art14 cited
• 2007The Goddess and the Bear Hybrid Imagery and Symbolism at Çatalhöyük14 cited
• 2003L’art bourgeois de la fin du XIXe siècle face à l’art mobilier Paléolithique