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TEXT, PARATEXT AND SUBTEXT: Reading Mildred Pierce as Maternal Melodrama
9 references·0 citing·26 second hop
TEXT, PARATEXT AND SUBTEXT: Reading Mildred Pierce as Maternal Melodrama (2012)TEXT, PARATEXT AND SUBTEXT: Reading Mildr…Beyond adaptation: mirrors, memory and melodrama in Todd Haynes's Mildred Pierce (2013)Beyond adaptation: mirrors, m…27. Tales of Sound and Fury: Observations on the Family Melodrama (2012)27. Tales of Sound and Fury: …Show sold separately: promos, spoilers, and other media paratexts (2010)Show sold separately: promos,…Paratexts: Thresholds of Interpretation (1997)Paratexts: Thresholds of Inte…Introduction to the Paratext (1991)Introduction to the ParatextGender Trouble: Feminism and the Subversion of Identity (1991)Gender Trouble: Feminism and …Melodrama and Tears (1986)Melodrama and TearsThe Dialogic Imagination: Four Essays (1981)The Dialogic Imagination: Fou…Myth, Religion and Mother-Right (1971)Myth, Religion and Mother-Rig…Course in General Linguistics (1960)Desire in Language: A Semiotic Approach to Literature and Art (1981)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Patterns of listening through social media: online fan engagement with the live music experience (2012)The Influence of Paratext on Narrative Persuasion: Fact, Fiction, or Fake? (2012)Paratext and Digitized Narrative: Mapping the Field (2013)The Hindi romantic cinema: Yash Chopra'sKabhi KabhieandSilsila (1998)Spectacles of History: Race Relations, Melodrama, and the Science Fiction/Disaster Film (2002)The Melodramatic Public (2011)Representing Nationalism: Ideology of Motherhood in Colonial Bengal (1990)The Queenmother, Matriarchy, and the Question of Female Political Authority in Precolonial West African Monarchy (1997)Luce Irigaray and the Philosophy of Sexual Difference (2006)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)The Complexity of Intersectionality (2005)Qualitative methods for health research (2009)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)‘This place isn't worth the left boot of one of our boys’: Geopolitics, militarism and memoirs of the Afghanistan war (2012)“How do I apply narrative theory?” (2012)Translating Great Russian Literature (2020)Gender, Crime, and Desistance: Toward a Theory of Cognitive Transformation (2002)Publics and counterpublics (2003)Translanguaging in the Bilingual Classroom: A Pedagogy for Learning and Teaching? (2010)Villains, Victims and Heroes: Melodrama, Media, and September 11 (2005)Film Architecture and the Transnational Imagination (2007)Ethnographic Imagination (2014)
this work references cited by second hop

References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 1981The Dialogic Imagination: Four Essays9,726 cited
  • 1997Paratexts: Thresholds of Interpretation2,686 cited
  • 2010Show sold separately: promos, spoilers, and other media paratexts881 cited
  • 1991Introduction to the Paratext469 cited
  • 201227. Tales of Sound and Fury: Observations on the Family Melodrama261 cited
  • 1986Melodrama and Tears189 cited
  • 1971Myth, Religion and Mother-Right117 cited
  • 2013Beyond adaptation: mirrors, memory and melodrama in Todd Haynes's Mildred Pierce24 cited

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