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Cited by

• 2007Narrative Paradigms, Musical Signifiers, and Form as Function in Country Music41 cited
• 2009Music of the First Nations: tradition and innovation in Native North America35 cited
• 2009Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race29 cited
• 2011Rebel Manhood22 cited
• 2015TransAmericana: Gender, Genre, and Journey20 cited
• 2019Keeping it Country while Dancing with the Elite19 cited
• 2013Authenticity as a form of worth19 cited
• 2018Down in the Hole: Outlaw Country and Outlaw Culture15 cited
• 2011“Redneck Woman” and the Gendered Poetics of Class Rebellion14 cited
• 2007Country Brothers: Kinship and Chronotope in Brazilian Rural Public Culture14 cited
• 2014Gone country: An investigation of Billboard country songs of the year across social and economic conditions in the United States.13 cited
• 2009Rita(hhh): Placemaking and Country Music on the Navajo Nation11 cited
• 2010Authenticating identity work: Accounts of underground country musicians11 cited
• 2010Hick-Hop Hooray? “Honky Tonk Badonkadonk,” Musical Genre, and the Misrecognitions of Hybridity10 cited