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Cited by

• 2006THE GHETTO FABULOUS AESTHETIC IN CONTEMPORARY BLACK CULTURE78 cited
• 2008Cities and cinema47 cited
• 2013Superflies into Superkillers: Black Masculinity in Film from Blaxploitation to New Black Realism42 cited
• 2010"Tryin' to Get Over": Super Fly , Black Politics, and Post–Civil Rights Film Enterprise30 cited
• 2009Owning Black Masculinity: The Intersection of Cultural Commodification and Self-Construction in Rap Music Videos27 cited
• 2017“We Don't Die, We Multiply”: Bebe's Kids, Hip-Hop Aesthetics, and Black Feature Animation22 cited
• 2007Storytelling in Time and Space: Studies in the Chronotope and Narrative Logic on Screen22 cited
• 2013Dragons!: George Jackson in the Cinema with Haile Gerima—from the Watts Films to Teza15 cited
• 2011African‐Americans and Silent Films11 cited
• 2009Trap(ped) music and masculinity: The cultural production of Southern Hip -Hop at the intersection of corporate control and self -construction5 cited
• 2016Race and place at the city limits: imaginative geographies of South Central Los Angeles5 cited
• 2012RethinkingBlacula: Ideological Critique at the Intersection of Genres5 cited
• 2008The Religious and Racial Meanings ofThe Green Pastures2 cited
• 2014