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Cited by

• 2008The Write to Rock: Racial Mythologies, Feminist Theory, and the Pleasures of Rock Music Criticism55 cited
• 2011Back Door Man: Howlin’ Wolf and the Sound of Jim Crow27 cited
• 2004Blues Tourism in the Mississippi Delta: The Functions of Blues Festivals23 cited
• 2005Reds, Whites, and the Blues: Lawrence Gellert, "Negro Songs of Protest," and the Leftwing Folksong Revival of the 1930s and 1940s22 cited
• 2008A Southern Sublimation: Lynching Film and the Reconstruction of American Memory13 cited
• 2010Playing Chicken With the Train: Cowboy Troy's Hick-Hop and the Transracial Country West8 cited
• 2015W. C. Handy, Abbe Niles, and (Auto)biographical Positioning in the Whiteman Era6 cited
• 2007The First Century of Blues: One Hundred Years of Hearing and Interpreting the Music and the Musicians6 cited
• 2012“I’ve Got Some Antique in Me”: The Discourse of Authenticity and Identity in the African American Blues Community in Austin, Texas5 cited
• 2008Fathers and Sons: American blues and British rock music, 1960--19703 cited