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Cited by

• 1997Holes and grooves: the contribution of microscopy and taphonomy to the problem of art origins218 cited
• 2011Earliest art in the Americas: incised image of a proboscidean on a mineralized extinct animal bone from Vero Beach, Florida49 cited
• 2017An approach to Palaeolithic networks: The question of symbolic territories and their interpretation through Magdalenian art36 cited
• 2012The Origins of the Concept of ‘Palaeolithic Art’: Theoretical Roots of an Idea21 cited
• 2015Contribution of 3D technologies to the analysis of form in late palaeolithic rock carvings: The case of the Roc-aux-Sorciers rock-shelter (Angles-sur-l’Anglin, France)20 cited
• 2003L’art bourgeois de la fin du XIXe siècle face à l’art mobilier Paléolithique13 cited
• 2007Palaeolithic art and religion5 cited
• 2014Ethnological Approach to Siberian Zoomorphs: A Search for Meaning and Implications for the Upper Paleolithic Evidence0 cited