SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
At home in the world: bharata natyam on the global stage
0 references·16 citing·40 second hop
At home in the world: bharata natyam on the global stage (2008)At home in the world: bharata natyam on t…Funding bodies (2021)Funding bodiesFlexible Bodies (2020)Flexible BodiesThe Globalization of Theatre 1870–1930: The Theatrical Networks of Maurice E. Bandmann (2019)The Globalization of Theatre …Impersonations (2019)ImpersonationsDancing the World Smaller (2019)Dancing the World SmallerIntangible Cultural Heritage Beyond Borders: Egyptian Bellydance (Raqs Sharqi) as a Form of Transcultural Heritage (2018)Intangible Cultural Heritage …Performing Bandung: China’s dance diplomacy with India, Indonesia, and Burma, 1953–1962 (2017)Performing Bandung: China’s d…Crafting fidelity: pedagogical creativity in kathak dance (2015)Crafting fidelity: pedagogica…Embodied Traditions: Gujarati (Dance) Practices of Garba and Raas in the UK context (2014)Embodied Traditions: Gujarati…The Ethnographer as Apprentice: Embodying Sociomusical Knowledge in South I ndia (2012)The Ethnographer as Apprentic…Embodied Migration: Performance Practices of Diasporic Sri Lankan Tamil Communities in London (2012)Embodied Migration: Performan…Dancing Otherness: Nationalism, Transnationalism, and the Work of Uday Shankar (2012)Dancing Otherness: Nationalis…Staging the Ethnographic of Dance History: Contemporary Dance and Its Play with Tradition (2011)Staging the Ethnographic of D…Being ‘ rasikas ’: the affective pleasures of music and dance spectatorship and nationhood in Indian middle‐class modernity (2011)Being ‘ rasikas ’: the affect…The Transfiguration of Indian/Asian Dance in the United Kingdom: Contemporary Bharatanatyam in Global Contexts (2008)The Transfiguration of Indian…Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage (2008)Labels, Histories, Politics: …Outline of a Theory of Practice (1977)Language and Symbolic Power. (1992)The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics (2006)“Out of Time” and “Out of Tune”: Reflections of an Oud Apprentice in Somaliland (2021)Mapping the cultural elements that support and inhibit music teachers’ sociomusical identities in Chile (2022)The consequences of modernity (1990)3.2. MARXISM AND LITERATURE (2006)The Location of Culture (2012)What ‘value’ South Asian arts in Britain? (2016)THE SYMBOLIC CONSTRUCTION OF COMMUNITY (1985)Contesting Culture: Discourses of Identity in Multi-Ethnic London. (1998)– The Symbolic Construction of Community (2013)Diaspora identification and long-distance nationalism among Tamil migrants of diverse state origins in the UK (2013)Being Tamil, being Hindu: Tamil migrants’ negotiations of the absence of Tamil Hindu spaces in the West Midlands and South West of England (2015)The Case of the Sri Lankan Tamil Diaspora and Homeland: A Shared Ethnic Identity? (2017)Ways of Worldmaking (1978)The Invention of Tradition (1986)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)On the Value of Mistranslations and Contaminations: The Category of “Contemporary Choreography” in Asian Dance (2013)Love Dances (2021)Gender Trouble: Feminism and the Subversion of Identity (1991)Bodies That Matter (2011)Distinction: A Social Critique of the Judgement of Taste. (1985)The Nation and Its Fragments (1994)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)Dance Musicalization: Proposing a choreomusicological approach to Hindi film song-and-dance sequences (2017)Postcolonialism: An Historical Introduction (2003)The Darker Nations: A People's History of the Third World (2007)Making a World after Empire: The Bandung Moment and Its Political Afterlives (2010)Three Eras of Indonesian Arts Diplomacy (2019)“Yo amo a China”: la experiencia de una mujer en la China de los sesenta, Los ojos de bambú (1964), de Mercedes Valdivieso (2020)When Folk Dance Was Radical: Cold War Yangge, World Youth Festivals, and Overseas Chinese Leftist Culture in the 1950s and 1960s (2020)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Modernity at Large: Cultural Dimensions of Globalization. (1998)Mis-step as Global Encounter: The American Dance Festival in Reform Era China (2022)A Critique of Postcolonial Reason (1999)The Condition of Postmodernity (2020)The Practice in Everyday Life (2020)Discipline and Punish: The Birth of the Prison (1978)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2017Performing Bandung: China’s dance diplomacy with India, Indonesia, and Burma, 1953–196248 cited
  • 2011Staging the Ethnographic of Dance History: Contemporary Dance and Its Play with Tradition38 cited
  • 2012The Ethnographer as Apprentice: Embodying Sociomusical Knowledge in South I ndia29 cited
  • 2011Being ‘ rasikas ’: the affective pleasures of music and dance spectatorship and nationhood in Indian middle‐class modernity29 cited
  • 2008The Transfiguration of Indian/Asian Dance in the United Kingdom: Contemporary Bharatanatyam in Global Contexts29 cited
  • 2020Flexible Bodies27 cited
  • 2012Embodied Migration: Performance Practices of Diasporic Sri Lankan Tamil Communities in London26 cited
  • 2019Dancing the World Smaller20 cited
  • 2012Dancing Otherness: Nationalism, Transnationalism, and the Work of Uday Shankar20 cited
  • 2021Funding bodies19 cited
  • 2008Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage18 cited
  • 2019Impersonations17 cited
  • 2015Crafting fidelity: pedagogical creativity in kathak dance16 cited
  • 2018Intangible Cultural Heritage Beyond Borders: Egyptian Bellydance (Raqs Sharqi) as a Form of Transcultural Heritage

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

14 cited
  • 2019The Globalization of Theatre 1870–1930: The Theatrical Networks of Maurice E. Bandmann13 cited
  • 2014Embodied Traditions: Gujarati (Dance) Practices of Garba and Raas in the UK context11 cited