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America's Japan and Japan's performing arts: cultural mobility and exchange in New York, 1952-2011
9 references·0 citing·22 second hop
America's Japan and Japan's performing arts: cultural mobility and exchange in New York, 1952-2011 (2013)America's Japan and Japan's performing ar…Asian Masculinities and Parodic Possibility in Odaiko Solos and Filmic Representations (2008)Asian Masculinities and Parod…Japanese Popular Music : Culture, Authenticity and Power (2007)Japanese Popular Music : Cult…America's geisha ally: reimagining the Japanese enemy (2007)America's geisha ally: reimag…Full Metal Apache: Transactions Between Cyberpunk Japan and Avant-Pop America (2006)Full Metal Apache: Transactio…Unspeakable Acts: The Avant-Garde Theatre of Terayama Shuji and Postwar Japan (2005)Unspeakable Acts: The Avant-G…Into performance: Japanese women artists in New York (2005)Into performance: Japanese wo…Speak it Louder: Asian Americans Making Music (2004)Speak it Louder: Asian Americ…The Folk Performing Arts: Traditional Culture in Contemporary Japan (1998)The Folk Performing Arts: Tra…The Translator's Invisibility: A History of Translation (1994)The Translator's Invisibility…The Dialogic Imagination: Four Essays (1982)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Unbearable Weight: Feminism, Western Culture and the Body. (1995)From Boys Next Door to Boys’ Love: Gender Performance in Japanese Male Idol Media (2012)The SAGE Handbook of Modern Japanese Studies (2015)Wrestling with or Embracing Digitization in the Music Industry: The Contrasting Business Strategies of J-pop and K-pop (2018)"The Face Is the Road Map": Vietnamese Amerasians in U.S. Political and Popular Culture, 1980–1988 (2011)The Atomic City: Military Tourism and Urban Identity in Postwar Hiroshima (2016)Beyond Combat: Women and Gender in the Vietnam War Era (2017)Towards a Sociology of Translation (1999)Proposal for a Hieronymic Oath (2001)Translation in Global News (2008)Locating Transcendence in Japanese Minzoku Geinô (2003)The UNESCO Effect: Confidence, Defamiliarization, and a New Element in the Discourse on a Japanese Island (2011)Inviting the Uninvited Guest: Ritual, Festival, Tourism, and the Namahage of Japan (2013)Speciesism, Part II: Tezuka Osamu and the Multispecies Ideal (2010)Abstraction and Embodiment: Yoko Ono and the Weaving of Global Musical Networks (2006)Against Critique: Fluxus and the Hacker Aesthetic (2015)Inscrutably, actually: hospitality, parasitism, and the silent work of Yoko Ono and Laurel Nakadate (2018)Synthesizing Race: Towards an Analysis of the Performativity of Vocal Timbre (2009)Soundscapes: Toward a Sounded Anthropology (2010)The Reorganization of the Sensory World (2010)
this work references cited by second hop

References

  • 1994The Translator's Invisibility: A History of Translation2,459 cited
  • 2004Speak it Louder: Asian Americans Making Music169 cited
  • 2005Into performance: Japanese women artists in New York87 cited
  • 2007America's geisha ally: reimagining the Japanese enemy77 cited
  • 2007Japanese Popular Music : Culture, Authenticity and Power69 cited
  • 2006Full Metal Apache: Transactions Between Cyberpunk Japan and Avant-Pop America24 cited
  • 1998The Folk Performing Arts: Traditional Culture in Contemporary Japan21 cited
  • 2008Asian Masculinities and Parodic Possibility in Odaiko Solos and Filmic Representations14 cited
  • 2005Unspeakable Acts: The Avant-Garde Theatre of Terayama Shuji and Postwar Japan13 cited

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