Il trittico, Turandot, and Puccini's late style

Abstract

Acknowledgments Note on Scores, Librettos, and Translations Introduction: Hearing Puccini 1. Stylistic Plurality, Narrative, Levels of Discourse, and Voice 2. The Romantic Style in Late Puccini 3. Expressive Uses of Convention in Il tabarro 4. Formal Multivalence in Suor Angelica 5. Humor and Filmic Effects in the Structure of Gianni Schicchi 6. Puccini's Solution: Integrating the Conventional and Unconventional Epilogue: Late Style and Puccini Notes Bibliography Index

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 11 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.