Samuel Beckett: Repetition, Theory and Text

Abstract

1. Introduction: Difference and Repetition 2. Economies of Repetition i. Murphy ii. Watt 3. Repetition in Time: Proust and Molloy 4. Centre, Line, Circumference: Repetition in the Trilogy i. Malone Dies ii. Unnamable iii. Centre, Line, Circumference: The Novellas 5. Repetition and Self-Translation: Mercier and Camier, First Love, The Lost Ones 6. Presence and Repetition in Beckett's Theatre i. The Doubling of Presence: Waiting for Godot, Endgame ii. Voice and Mechanical Reproduction: Krapp's Last Tape, Ohio Impromptu, Rockaby, That Time 7. What? Where? Space and the Body i. What? Where? ii. Fundamental Sounds: Language and the Body Not I, Acts Without Words, Quad 8. Repetition and Power i. Textual Power ii. Producing Power.

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