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Cited by

• 1992The "Unwritten" and "Written Transmission" of Medieval Chant and the Start-Up of Musical Notation58 cited
• 1992New Light on Secular Polyphony at the Court of Holland in the Early Fifteenth Century: The Amsterdam Fragments7 cited
• 1999The sources and significance of the Orpheus myth inMusica Enchiriadisand Regino of Prüm'sEpistola de harmonica institutione7 cited
• 1989The Doxa, the Pisteuo, and the ellinici fratres: Some Anomalies in the Transmission of the Chants of the "Missa Graeca"6 cited
• 2000Approaching the Communion Melodies4 cited
• 2012Unstable embodiments of musical theory and practice in theSpeculum musicae2 cited