Framing the fifties: cinema in a divided Germany

Abstract

List of Illustrations Introduction Chapter 1. The Question of Guilt and the StudentA: Politicizing the Postwar University in Kortner's Der Ruf and von Wangenheim's Und wieder Jaimey Fisher Chapter 2. Returning Home: The Orientalist Spectacle of Fritz Lang's Der Tiger von Eschnapur and Das indische Grabmal Barbara Mennel Chapter 3. The Passenger: Ambivalences of National Identity and Masculinity in the Star Persona of Peter van Eyck Tim Bergfelder Chapter 4. Helmut Kautner's Epilog: Das Geheimnis der Orplid and the West Detective Film of the 1950s Yogini Joglekar Chapter 5. Location Heimat: Tracking Refugee Images, from DEFA to the Heimatfilm Johannes von Moltke Chapter 6. Great Truths and Minor Truths: Kurt Maetzig's Ernst Thalmann Films, the Antifascism Myth, and the Politics of Biography in the Democratic Republic Russel Lemmons Chapter 7. The First DEFA Fairy Tales: Cold War Fantasies of the 1950s Marc Silberman Chapter 8. Visualizing the Enemy: Representations of the Other GermanyA in Documentaries Produced by the FRG and GDR in the 1950s Matthias Steinle Chapter 9. The Treatment of the Past: Geza Radvanyi's Der Arzt von Stalingrad and the West War Film Jennifer M. Kapczynski Chapter 10. Film und Frau and the Female Spectator of 1950s West Cinema Hester Baer Chapter 11. Reterritorializing Enjoyment in the Adenauer Era: Robert A. Stemmle's Toxi Angelica Fenner Chapter 12. Allegories of Management: Norbert Schultze's Sound Track for Das Madchen Rosemarie Larson Powell Chapter 13. The Restructuring of the West Film Industry in the 1950s Knut Hickethier Chapter 14. The Other German Cinema Mary Wauchope Works Cited Filmography Notes on Contributors Index

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