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Cited by

• 2010Sentimental Literature and Anglo-Scottish Identity, 1745–182069 cited
• 2007Jessica's Mother: Medieval Constructions of Jewish Race and Gender in The Merchant of Venice49 cited
• 2012Shakespeare and World Cinema38 cited
• 2004De‐scribing the centre: Satiric and postcoloniai strategies inthe Madonna of excelsior31 cited
• 2006Catholic Martyrdom in Dekker and Massinger's The Virgin Martir and the Early Modern Threat of "Turning Turk"28 cited
• 2008Seduction and Service in The Tempest26 cited
• 2009Botanical Shakespeares: The Racial Logic of Plant Life in Titus Andronicus25 cited
• 2013“I Have Done the State Some Service”: Reading Slavery in Othello through Juan Latino22 cited
• 2007Alterity and Narrative: Stories and the Negotiation of Western Identities22 cited
• 2011The myth of Rome in Shakespeare and his contemporaries18 cited
• 2017Romans, Egyptians, and Crocodiles17 cited
• 2021Was Sexuality Racialized for Shakespeare?16 cited
• 2018‘For Christian Shame’: Othello’s fall and the Early Modern Conversion Play14 cited
• 2013Race, nation, and Marlowe13 cited
• 2013