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Sounding new media: immersion and embodiment in the arts and culture
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  • 2017Expert Listening beyond the Limits of Hearing: Music and Deafness188 cited
  • 2015Phenomenology in Anthropology: A Sense of Perspective109 cited
  • 2016Making sense of sound: Visceral sonic mapping as a research tool100 cited
  • 2011Introduction: Listening to American Studies95 cited
  • 2019Enacting Musical Time68 cited
  • 2016Sonic affects and the production of space: ‘Music by handle’ and the politics of street music in Victorian London53 cited
  • 2012Vibrating Colors and Silent Bodies. Music, Sound and Silence in Maurice-Merleau-Ponty's Critique of Dualism51 cited
  • 2016The ethical potential of sound in public space: Migrant pan flute music and its potential to create moments of conviviality in a ‘failed’ public square47 cited
  • 2017World Building. Transmedia, Fans, Industries41 cited
  • 2017Museum architectures for embodied experience33 cited
  • 2012Danse macabre and the virtual churchyard12 cited
  • 2021The 360° Gaze11 cited
  • 2015“All It Is Is Light”: Projections and Volumes, Artistic Light, and Pipilotti Rist’s Feminist Languages and Logics of Light8 cited
  • 2021Dziennikarstwo immersji w perspektywie zwrotu afektywnego6 cited

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  • 2013Intertextuality as ‘Resonance’: Masculinity and Anticapitalism in Pet Shop Boys' Score for Battleship Potemkin4 cited
  • 2017In Your Head: Notes on Maryanne Amacher’s Intelligent Life4 cited