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Visions of Jazz: The First Century
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  • 2012Sensemaking and sensegiving stories of jazz leadership95 cited
  • 2002Louis Armstrong and the Syntax of Scat83 cited
  • 2006“Everybody Step”: Irving Berlin, Jazz, and Broadway in the 1920s45 cited
  • 2014Storytelling in jazz improvisation: Implications of a rich intermedial metaphor32 cited
  • 2014The Cambridge Companion to Duke Ellington24 cited
  • 2006High Notes17 cited
  • 2015Jazz and the critical potential of heteronomous expressive form14 cited
  • 2015Who wrote Duke Ellington’s music? Authorship and collective creativity in ‘Mood Indigo’13 cited
  • 2007Taking Culture Seriously: Democratic Music and Its Transformative Potential in South Korea11 cited
  • 2018Jazz and Musical Works: Hypnotized by the Wrong Model11 cited
  • 2002Emotional Space: Performing the Resistive Possibilities of Torch Singing11 cited
  • 2002An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues , 1929-193711 cited
  • 2022Expanding models of music composition: Exploring the value of collaboration7 cited
  • 2017Improvisation: The Astonishing Bridge to Our Inner Music5 cited
  • 2024

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Hearing Double
5 cited
  • 2006New Orleans and the Creation of Early Jazz5 cited