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Cited by

• 2004Innovation and the avant-garde, 1900–2037 cited
• 2008'Our true north': Walton's First Symphony, Sibelianism, and the Nationalization of Modernism in England26 cited
• 2013The Cambridge Companion to the Symphony22 cited
• 2005‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music5 cited
• 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
• 2013Other classical repertories4 cited
• 2013The symphony in Britain: guardianship and renewal3 cited
• 2007A Survey of the Written Reception of Carl Nielsen, 1931-20063 cited
• 2013Introduction: understanding the symphony3 cited
• 2013Beethoven’s shadow: the nineteenth century3 cited
• 2019Structural Acceleration in Nielsen'sSinfonia espansiva3 cited
• 2013The symphony since Mahler: national and international trends2 cited
• 2013Harmonies and effects: Haydn and Mozart in parallel2 cited
• 2013Tonal strategies in the nineteenth-century symphony2 cited