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Fingerprinting popular culture: the mythic and the iconic in Indian cinema
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Cited by

  • 2015Modi-Masculinity98 cited
  • 2016Shards and Stages: Migrant Lives, Power, and Space Viewed from Doha, Qatar40 cited
  • 2007SOUTH ASIAN POPULAR CULTURE27 cited
  • 2011Genre Mixing as Creative Fabrication25 cited
  • 2014Neoliberal Logics of Voice: Playback Singing and Public Femaleness in South India22 cited
  • 2021Internationalising Celebrity Studies: turning towards Asia22 cited
  • 2016‘English Vinglish’ and Bollywood: what is ‘new’ about the ‘new woman’?20 cited
  • 2020Introduction: Masculinities17 cited
  • 2012Voices of Meenakumari: Sound, meaning, and self-fashioning in performances of an item number14 cited
  • 2011FromPadositoMy Name is Khan: The Portrayal of Hindu–Muslim Relations in South Asian Films12 cited
  • 2008Tamil identity and diasporic desire in a Kollywoood comedy:Nala Damayanti(2003)10 cited
  • 2016Listening to female voices in Sikhkirtan7 cited
  • 2015The Eloquent Language: Hindustani in 1940s Indian Cinema6 cited
  • 2018Inventing a Muscular Global India: History, Masculinity, and Nation in Mangal Pandey: The Rising6 cited

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