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Cover art: original work by Gregory Botts Key to Abbreviations Preface: Graham Allen and Roy Sellars, and Critical Responsibility 1 Graham Allen, Passage Norman Finkelstein, Aliyah John Hollander, A Merrie Melody for Geoffrey Hartman, Song of Solomon's Daughter in the Paradise of Poets, Exulting that She Exists Peter Abbs, Voyaging Out Paolo Valesio, Three Poems Kevin Hart, Trader's Wife John Kinsella, Field Notes from Mount Bakewell Nicholas Royle, Slide 2 Roger Gilbert, of Reading, Acts of Loving: Harold and the Art of Appreciation Graham Allen, Anxiety of Choice, the Western and the Future of Literature R. Clifton Spargo, Toward an Ethics of Literary Revisionism Heidi Sylvester, Sublime Theorist: Harold Bloom's Catastrophic Theory of Literature Barnard Turner, and the School of Resentment: An Interrogation of the 'Preface and Prelude' to The Western Canon Christopher Rollason, On the Stone Raft: Harold in Catalonia and Portugal T. J. Cribb, Anxieties of in the Theatre of Memory: Harold Marlowe and Henry V Gregory Machacek, Conceptions of Origins and Their Consequences: and Milton L. Welch, Poet as Poet: Harold Bloom's Theory of Influence John W. P. Phillips, To Execute a Clinamen Martin McQuillan, Is Deconstruction Really a Jewish Science? Freud and Derrida Roy Sellars, (Comic) Critic Anders H. Klitgaard, Bloom, Kierkegaard, and the Problem of Misreading Nicholas Birns, Placing the Jar Properly: The Religious and the Secular in the of Harold Bloom Gwee Li Sui, I, J, K Leslie Brisman, upon Her Mountain: Unclouding the Heights of Modern Biblical Criticism Moshe Idel, Enoch and Elijah: Some Remarks on Apotheosis, Theophany and Jewish Mysticism Sinead Murphy, 'From Blank to Blank:' Harold and Woman Writers Stephen Da Silva, A Queer Touch and the Bloomian Model of Authorial Influence Peter Morris, Parody, and the 'Other Tradition' Maria Rosa Menocal, How I Learned to Write Without Footnotes Afterword: Harold Notes on Contributors Index: Milton L. Welch
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