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Cited by

• 2013Othello’s Black Handkerchief98 cited
• 2011Reading and the History of Race in the Renaissance61 cited
• 2001Dido's Ear: Tragedy and the Politics of Response59 cited
• 2011Re-"turning" Othello : Transformative and Restorative Romance47 cited
• 2009Race, Faces, and False Fronts: Shakespearean Signifying in the Colored American Magazine34 cited
• 2010Shakespeare and impure aesthetics32 cited
• 2007The Cambridge Introduction to Shakespeare22 cited
• 2012Caliban and the fen demons of Lincolnshire: the Englishness of Shakespeare'sTempest20 cited
• 2006"The Dark Backward and Abysm of Time": The Tempest and Memory18 cited
• 2009Desire and dramatic form in early modern England14 cited
• 2018Men in The Making: Youth, the Repertory, and The "Children" Of the Queen'S Revels, 1609–1313 cited
• 2017Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage12 cited
• 2009‘Not One Thing Exactly’: Gender, Performance and Critical Debates over the Early Modern Boy‐Actress12 cited
• 2008Elizabethan Play-Boys in the Adult London Companies12 cited
• 2009