Article2005

Tragedy and Athenian Religion

Scott Scullion · Christiane Sourvinou-Inwood

280 citations0/0 files storedThe Classical World

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Classical Antiquity Studies Theatre and Performance Studies Classical Philosophy and Thought

Abstract

Part 1 Tragedy, Audiences, and Religion Chapter 2 Tragedy and Religion: Shifting Perspectives and Ancient Filters Chapter 3 Setting Out the Distances: Religion, Audiences, and the World of Tragedy Part 4 The Context Chapter 5 The Great Dionysia: a Reconstruction Chapter 6 [Re]Constructing the Beginnings Chapter 7 The Great Dionysia and the Ritual Matrix of Tragedy Part 8 Religion and the Fifth-Century Tragedians Chapter 9 Starting with Aeschylus Chapter 10 From Phyrynichos to Euripides: the Tragic Choruses Chapter 11 Euripidean Tragedy and Religious Exploration Chapter 12 Walking Among Mortals? Modalities of Divine Appearance in Aeschylus, Sophocles, and Euripides Part 13 A Summary of the Central Conclusion

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Cited by

2006The competence of theatre audiences in fifth- and fourth-century Athens 2004Religious Syncretism: The New Gods of Greek Tragedy 2011Performing Greek Comedy 2004The Return of Hephaistos, Dionysiac Processional Ritual and the Creation of a Visual Narrative 2014ATHEISTIC AESTHETICS: THE SISYPHUS FRAGMENT, POETICS AND THE CREATIVITY OF DRAMA 2014INTERIORITY, THE ‘DEEP EARTH’ AND THE SPATIAL SYMBOLISM OF DARIUS' APPARITION IN THEPERSIANSOF AESCHYLUS 2015Another Look at Female Choruses in Classical Athens 2014The Cambridge Companion to Greek Comedy

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