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The inspired dream : life as art in Aboriginal Australia
0 references·6 citing·20 second hop
The inspired dream : life as art in Aboriginal Australia (1988)The inspired dream : life as art in Abori…Shared Heritage, Contested Terrain (2006)Shared Heritage, Contested Te…Musings on Museums from Phnom Penh (2006)Musings on Museums from Phnom…Exhibition, Difference, and the Logic of Culture (2006)Exhibition, Difference, and t…Unsettled Business: Acrylic Painting, Tradition, and Indigenous Being (2004)Unsettled Business: Acrylic P…Marketing and the Multiple Meanings of Australian Aboriginal Art (1999)Marketing and the Multiple Me…Uncertain regard: An exhibition of aboriginal art in France (1998)Uncertain regard: An exhibiti…Closing statement : Linguistics and poetics (1960)Thick Description: Towards an Interpretive Theory of Culture (1973)Introduction: commodities and the politics of value (1986)Shown but not Shared, Presented but not Proffered: Redefining Ritual Identity among Warlpiri Ritual Performers, 1990-2000 (2004)The Invention of Tradition (1986)The Social Life of Things (1986)The Predicament of Culture (1988)The Relationship between Wellbeing and Indigenous Land, Language and Culture in Australia (2012)Being sub-culturally authentic and acceptable to the mainstream: Civilizing practices and self-authentication (2015)National identity and the future of branding the arts (2022)THE ELEMENTARY FORMS OF RELIGIOUS LIFE (1916)Distinction: A Social Critique of the Judgement of Taste* (2018)Discipline and Punish: The Birth of the Prison (1978)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Modernity at Large: Cultural Dimensions of Globalization. (1998)Public Art, Artefacts and Atlantic Slavery: Introduction (2008)Double erasures: rewriting the past at the Musée du quai Branly* (2008)Introduction: Heritage Gone Global. Investigating the Production and Problematics of Globalized Pasts (2011)Thinking (with) Museums: From Exhibitionary Complex to Governmental Assemblage (2015)making sense of a mélange: R epresenting C ultural C itizenship in S ingapore's Asian C ivilisations Museum (2013)
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  • 2006Exhibition, Difference, and the Logic of Culture36 cited
  • 1998Uncertain regard: An exhibition of aboriginal art in France29 cited
  • 1999Marketing and the Multiple Meanings of Australian Aboriginal Art27 cited
  • 2004Unsettled Business: Acrylic Painting, Tradition, and Indigenous Being23 cited
  • 2006Shared Heritage, Contested Terrain10 cited
  • 2006Musings on Museums from Phnom Penh1 cited

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