Schoenberg and redemption

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Musicology and Musical Analysis German Literature and Culture Studies Literature, Musicology, and Cultural Analysis

Abstract

Introduction 1. Schoenberg, history, trauma? 2. Schoenberg as Christ 3. Otto Weininger, Richard Wagner and musical discourse in turn-of-the-century Vienna 4. Schoenberg and Wagnerian Deutschtum 5. Compositional innovation and the redemption of Ahasuerus 6. Woman and the symbolism of self-redemption 7. Re-reading Schoenberg's Musical Idea 8. Coda: changing history into memory Appendix. 'Every young Jew'.

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References

1953The Standard Edition of the Complete Psychological Works of Sigmund Freud 2018The Ego and the Mechanisms of Defence 1986The Female Malady: Women, Madness, and English Culture, 1830-1980 2002Finding Meaning in Memory: A Methodological Critique of Collective Memory Studies 1995Representing the Holocaust: History, Theory, Trauma.1985Difference and Pathology: Stereotypes of Sexuality, Race, and Madness 1991Unsung Voices: Opera and Musical Narrative in the Nineteenth Century 1992Sexual Anarchy: Gender and Culture at the Fin de Siecle.

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