Opening Acts: Performance in/as Communication and Cultural Studies

Abstract

Introduction: Opening Opening Acts - Judith Hamera Section 1: Engaging the Everyday Introduction - Judith Hamera 1. Becoming Other-Wise: Conversational Performance and the Politics of Experience - Leonard Clyde Hawes 2. Telling Twisted Tales: Owning Place, Owning Culture in Ethnographic Research - Bryant Keith Alexander Section 2: Animating Locations Introduction - Judtih Hamera 3. Bridging Haunted Places: Performance and the Production of Mostar - Sonja Arsham Kuftinec 4. Looking for Stonewall's Arm: Tourist Performance as Research Method - Michael S. Bowman Section 3: Interrogating Histories Introduction - Judith Hamera 5. Rethinking Elocution: The Trope of the Talking Book and Other Figures of Speech - Dwight Conquergood 6. Diverging Paths in Performance Genealogies - Ruth Laurion Bowman Section 4: Synthesizing Scholarship Introduction - Judith Hamera 7. The Mechanical Bride of Yonville-l'Abbaye (Batteries Not Included): Remapping the Canonical Landmark - Paul Edwards Section 5: Embracing Performances Introduction - Judith Hamera 8. Performing Theory/Embodied Writing - D. Soyini Madison About the Editor About the Contributors Index

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