Textual intercourse: collaboration, authorship, and sexualities in Renaissance drama

Unknown author

1997-11-01otherChoice Reviews Online460 citationsclosed

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Renaissance Literature and Culture Libraries, Manuscripts, and Books Shakespeare, Adaptation, and Literary Criticism

Abstract

Introduction 1. Seeing double: collaboration and the interpretation of Renaissance drama 2. Between gentlemen: homoeroticism, collaboration, and the discourse of friendship 3. Representing authority: patriarchalism, absolutism, and the author on stage 4. Reproducing works: dramatic quartos and folios in the seventeenth century 5. Mistris Corrivall: Margaret Cavendish's dramatic production Notes Bibliography Index.

Citations in this library

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