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Antonio Salieri and Viennese opera
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Antonio Salieri and Viennese opera (1999)Antonio Salieri and Viennese operaBEETHOVEN AND THE SOUND OF REVOLUTION IN VIENNA, 1792–1814 (2014)BEETHOVEN AND THE SOUND OF RE…Voices and singers (2012)Voices and singersThe operatic work: texts, performances, receptions and repertories (2012)The operatic work: texts, per…The operatic event: opera houses and opera audiences (2012)The operatic event: opera hou…The dramaturgy of opera (2012)The dramaturgy of operaOpera and the technologies of theatrical production (2012)Opera and the technologies of…Opera and modes of theatrical production (2012)Opera and modes of theatrical…Opera and gender studies (2012)Opera and gender studiesIntroduction: opera studies today (2012)Introduction: opera studies t…Genre and poetics (2012)Genre and poetics‘Too much music’: the media of opera (2012)‘Too much music’: the media o…The Fandango Scene in Mozart'sLe nozze di Figaro (2008)The Fandango Scene in Mozart'…Denaturing the Castrato (2008)Denaturing the CastratoThree Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte (2004)Three Modes of Perception in …The comic mode (2004)The comic modeFrom Garrick to Gluck: Essays on Opera in the Age of Enlightenment (2002)From Garrick to Gluck: Essays…Source Readings in Music History, from Classical Antiquity Through the Romantic Era (1951)Haydn, Mozart and the Viennese School, 1740-1780 (1997)Music in European Capitals: The Galant Style, 1720-1780 (2003)Sound and Sensibility in Diderot's 'Le Neveu De Rameau' (2013)Opera in Warsaw (2024)Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni (1983)Mozart: Studies of the Autograph Scores (1987)A General History of the Science and Practice of Music (2011)Centuries of Childhood. A Social History of Family Life (1963)Difference and Pathology: Stereotypes of Sexuality, Race, and Madness (1985)Third sex, third gender: beyond sexual dimorphism in culture and history. (1995)Listening in Paris (1995)Listening in Paris: A Cultural History. (1995)A philosophical enquiry into the origin of our ideas of the sublime and beautiful (1759) (1996)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Nations and nationalism since 1780 programme, myth, reality (1995)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)Culture and Imperialism. (1994)Fake Streams, Listening Bots, and Click Farms: Counterfeiting Attention in the Streaming Music Economy (2020)
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Cited by

  • 2014BEETHOVEN AND THE SOUND OF REVOLUTION IN VIENNA, 1792–181433 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2002From Garrick to Gluck: Essays on Opera in the Age of Enlightenment15 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2008Denaturing the Castrato13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 2012Introduction: opera studies today11 cited
  • 2008The Fandango Scene in Mozart'sLe nozze di Figaro8 cited
  • 2012Genre and poetics8 cited
  • 2004Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte7 cited
  • 2012Voices and singers6 cited
  • 2004The comic mode6 cited
  • 2012Opera and gender studies5 cited
  • 2012The dramaturgy of opera5 cited
  • 2012The operatic work: texts, performances, receptions and repertories4 cited

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