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Richard Wagner's Music Dramas
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Richard Wagner's Music Dramas (1979)Richard Wagner's Music DramasThe Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)The Cambridge Companion to Wa…Understanding the leitmotif: from Wagner to Hollywood film music (2016)Understanding the leitmotif: …The wish for annihilation in ‘love–death’ as collapse of the need for recognition, in Wagner'sTristan und Isolde (2013)The wish for annihilation in …Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Metaphors of depth in German …Richard Wagner: Self-Promotion and the Making of a Brand (2010)Richard Wagner: Self-Promotio…Elsa's reason: On beliefs and motives in Wagner'sLohengrin (2010)Elsa's reason: On beliefs and…Edward Elgar, Modernist (2006)Edward Elgar, ModernistDeath drive: Eros and Thanatos in Wagner'sTristan und Isolde (1999)Death drive: Eros and Thanato…Reading a staging/Staging a reading (1997)Reading a staging/Staging a r…Elsa screams, or The birth of music drama (1997)Elsa screams, or The birth of…Constructing Nuremberg: Typological and Proleptic Communities in "Die Meistersinger" (1992)Constructing Nuremberg: Typol…The Dahlhaus Project and Its Extra-Musicological Sources (1991)The Dahlhaus Project and Its …What the Sorcerer Said (1989)What the Sorcerer SaidWagner, ‘On Modulation’, andTristan (1989)Wagner, ‘On Modulation’, andT…Creatio ex nihilo: The Genesis, Structure, and Meaning of the "Rheingold" Prelude (1989)Creatio ex nihilo: The Genesi…Formulaic Openings in Debussy (1984)Formulaic Openings in DebussyImagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner (2011)Future History: Wagner, Offenbach, and "la musique de l'avenir" in Paris, 1860 (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)The Beethoven Syndrome (2020)The Thematic Process in Music (1951)The Dialogic Imagination: Four Essays (1981)Modern European Intellectual History. Reappraisals and New Perspectives. (1984)Distant sounds – Fallen music: Der ferne Klang as ‘woman's opera’? (1991)Geschichte der deutschen Dichtung (1853)Die Musik des 20. Jahrhunderts (1961)The Nationalization of the Masses: Political Symbolism and Mass Movements in Germany from the Napoleonic Wars through the Third Reich (1976)‘Too much music’: the media of opera (2012)Opera and modes of theatrical production (2012)The operatic event: opera houses and opera audiences (2012)Truth and Method (1960)The Structure of Scientific Revolutions (1963)The Postmodern Condition: A Report on Knowledge (1984)A. B. Marx, Berlin Concert Life, and German National Identity (1994)Kurt Weill, Modernism, and Popular Culture: Offentlichkeit als Stil (1995)Music and Ethical Responsibility (2014)The World as Will and Representation. (1959)Trauma: explorations in memory (1996)Unclaimed experience: trauma, narrative, and history (1997)A Convenience of Marriage: Collaboration and Interdisciplinarity (2001)From Senescence to Self-Renewal: Narrative of Gerontology and Journey in Ishiguro’s The Remains of the Day (2025)A Theory of Semiotics (1976)Time and narrative (1986)The German Musical Exile and the Course of American Musicology (2005)The Pursuit of Signs (2005)A n I magined D rama of C ompetitive O pposition in C arter 'sS crivo in V ento , with N otes on N arrative , S ymmetry , Q uantitative F lux and H eraclitus (2009)Narrative (2014)Course in General Linguistics (1960)A Grammar of Motives (1969)The Anxiety of Influence: A Theory of Poetry (1974)Toward a Naturalized Aesthetics of Film Music (2019)Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Total Artwork: Wagner's Philosophies on Art and Music in the Ring Cycle (2022)2. The Interpretation of Dreams (1913)Being and Time (1927)'Our true north': Walton's First Symphony, Sibelianism, and the Nationalization of Modernism in England (2008)Music, Modernity, and God (2013)The sound of beauty (2013)From Max Weber: Essays in Sociology (1946)Philosophical Investigations (1954)Simulacra and Simulation (1995)Opera as Reflected in Russian Academic Periodicals of the Last Five Years (2023)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Metaphors We Live By (2003)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style (2017)Rethinking Mendelssohn (2020)
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  • 1991The Dahlhaus Project and Its Extra-Musicological Sources92 cited
  • 2011Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg73 cited
  • 2006Edward Elgar, Modernist53 cited
  • 2010Richard Wagner: Self-Promotion and the Making of a Brand48 cited
  • 1989Wagner, ‘On Modulation’, andTristan31 cited
  • 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
  • 1989What the Sorcerer Said28 cited
  • 1999Death drive: Eros and Thanatos in Wagner'sTristan und Isolde26 cited
  • 2020The Cambridge Companion to Wagner's Der Ring des Nibelungen24 cited
  • 1992Constructing Nuremberg: Typological and Proleptic Communities in "Die Meistersinger"23 cited
  • 1997Reading a staging/Staging a reading19 cited
  • 1997Elsa screams, or The birth of music drama15 cited
  • 1984Formulaic Openings in Debussy13 cited
  • 1989Creatio ex nihilo: The Genesis, Structure, and Meaning of the "Rheingold" Prelude9 cited
  • 2013The wish for annihilation in ‘love–death’ as collapse of the need for recognition, in Wagner'sTristan und Isolde

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7 cited
  • 2010Elsa's reason: On beliefs and motives in Wagner'sLohengrin6 cited