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In the secret theatre of home: Wilkie Collins, sensation narrative, and nineteenth-century psychology
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  • 2012Melodrama97 cited
  • 2003Eavesdropping in the Novel from Austen to Proust83 cited
  • 2001Trauma, Memory, and Railway Disaster: The Dickensian Connection78 cited
  • 2010History and Cultural Memory in Neo-Victorian Fiction55 cited
  • 2006"Dirty Linen" : Legacies of Empire in Wilkie Collins's The Moonstone54 cited
  • 2010Financial speculation in Victorian fiction: plotting money and the novel genre, 1815-190151 cited
  • 2007Victorian Framings of the Mind: Recent Work on Mid‐Nineteenth Century Theories of the Unconscious, Memory, and Emotion49 cited
  • 1999Railway Novels: Sensation Fiction and the Modernization of the Senses47 cited
  • 2010History and Cultural Memory in Neo-Victorian Fiction46 cited
  • 2003Eavesdropping in the novel from Austen to Proust42 cited
  • 2013The Cambridge Companion to Sensation Fiction38 cited
  • 1993Family Secrets and the Mysteries of The Moonstone28 cited
  • 2012Sensation and the fantastic in the Victorian novel27 cited
  • 2018Seeming Human: Artificial Intelligence and Victorian Realist Character26 cited
  • 2012‘The annihilation of space and time’: literature and technology

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25 cited
  • 2017Blindness and writing : from Wordsworth to Gissing25 cited