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Traditions of Indian classical dance
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Traditions of Indian classical dance (1979)Traditions of Indian classical danceDance Musicalization: Proposing a choreomusicological approach to Hindi film song-and-dance sequences (2017)Dance Musicalization: Proposi…FILM DANCE, FEMALE STARDOM, AND THE PRODUCTION OF GENDER IN POPULAR HINDI CINEMA (2014)FILM DANCE, FEMALE STARDOM, A…Stage Fright and Joy: Performers in Relation to the Troupe, Audience, and Beyond (2012)Stage Fright and Joy: Perform…Revival and Reinvention in India's Kathak Dance (2010)Revival and Reinvention in In…Theorizing the Local (2009)Theorizing the LocalChapter 9 Sīna ba Sīna or “From Father to Son” (2009)Chapter 9 Sīna ba Sīna or “Fr…Chapter 7 Music in Urban Space (2009)Chapter 7 Music in Urban SpaceChapter 3 Listening to the Violin in South Indian Classical Music (2009)Chapter 3 Listening to the Vi…Chapter 11 Modes of Theorizing in Iranian Khorasan (2009)Chapter 11 Modes of Theorizin…An intimate ethnography (2009)An intimate ethnographyHandbook of Qualitative Research. (1995)Qualitative Interviewing: The Art of Hearing Data (1996)Narrative Inquiry: Experience and Story in Qualitative Research (1999)Women in Modern India (1996)Postcolonial Theory: A Critical Introduction (2000)The Location of Culture (2012)‘You are not invisible’: a qualitative study examining ritual, pedagogical relationships, and student visibility in kathak dance (2020)The Courtesan Project and the Tawa’ifs’ Cultural Commons (2021)Woman, Native, Other: Writing Postcoloniality and Feminism (1990)Fictions Of Feminist Ethnography (1994)Writing against Culture (2008)Gender, caste, and feminist praxis in transnational South India (2019)Outline of a Theory of Practice (1977)The Constitution of Society. Outline of the Theory of Structuration (1984)Situated Learning (1991)Dancing with Devtās: Drums, Power and Possession in the Music of Garhwal, North India (2011)Screening the Male: Exploring Masculinities in the Hollywood Cinema (1993)Bombay Cinema: an Archive of the City (2008)Economic and Political Weekly (2017)Gender Trouble: Feminism and the Subversion of Identity (1991)Recasting Women: Essays in Indian Colonial History (1992)The Production of Space (1992)An Approach to Musical Rhythm in Agbadza (2019)Layers and Elasticity in the Rhythm of Noh Songs (2019)Thought and Play in Musical Rhythm (2019)Different Resistances: A Comparative View of Indian and Western Classical Music in the Modern Era (2013)Crafting fidelity: pedagogical creativity in kathak dance (2015)Listening to female voices in Sikhkirtan (2016)
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Cited by

  • 2009Chapter 11 Modes of Theorizing in Iranian Khorasan21 cited
  • 2009Chapter 7 Music in Urban Space21 cited
  • 2009Chapter 9 Sīna ba Sīna or “From Father to Son”14 cited
  • 2009An intimate ethnography10 cited
  • 2017Dance Musicalization: Proposing a choreomusicological approach to Hindi film song-and-dance sequences9 cited
  • 2012Stage Fright and Joy: Performers in Relation to the Troupe, Audience, and Beyond9 cited
  • 2009Theorizing the Local7 cited
  • 2014FILM DANCE, FEMALE STARDOM, AND THE PRODUCTION OF GENDER IN POPULAR HINDI CINEMA7 cited
  • 2010Revival and Reinvention in India's Kathak Dance6 cited
  • 2009Chapter 3 Listening to the Violin in South Indian Classical Music3 cited

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