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Classical Japanese Cinema Revisited
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Classical Japanese Cinema Revisited (2011)Classical Japanese Cinema RevisitedRealist Cinema as World Cinema (2021)Realist Cinema as World CinemaPostmodernism, identity and mission continuity in the Church of Christ in Zimbabwe (2020)Postmodernism, identity and m…The Wipe: Sadie Benning’s Queer Abstraction (2017)The Wipe: Sadie Benning’s Que…Online video sharing: an alternative channel for film distribution? Copyright enforcement, censorship, and Chinese independent cinema (2016)Online video sharing: an alte…Contemporary Japanese Cinema Since Hana-Bi (2015)Contemporary Japanese Cinema …Flashes of the Sword and the Star (2013)Flashes of the Sword and the …Powers of Horror: An Essay on Abjection (1984)The Condition of Postmodernity (1991)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)From underground to independent: alternative film culture in contemporary China (2007)From Underground to Independent: Alternative Film Culture in Contemporary China. Edited by Paul G. Pickowicz and Yingjin Zhang. Lanham, Md.: Rowman & Littlefield, 2006. $87.00 (cloth); $30.95 (paper). (2008)Historical Dictionary of American Cinema (2011)Copyright Governance for Online Short Videos: Perspective of Transaction Cost Economics (2022)Cruising utopia: the then and there of queer futurity (2010)Bodies That Matter (2011)Beyond the Pleasure Principle (2015)Feeling the Grid: Lorna Simpson’s Concrete Abstraction (2017)Of Revelation and Revolution, Volume 1 (1991)Introduction to African Religion (1992)Practice of Social Research (2000)Africanising the Four-self-leadership Formula in the Church of Christ in Zimbabwe (2021)Marxism and Literature (1977)The condition of postmodernity: an enquiry into the origins of cultural change (1990)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Being and Nothingness: An Essay on Phenomenological Ontology. (1958)Totality and Infinity: An Essay on Exteriority (2011)From The Emancipated Spectator (2025)
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Cited by

  • 2017The Wipe: Sadie Benning’s Queer Abstraction11 cited
  • 2015Contemporary Japanese Cinema Since Hana-Bi11 cited
  • 2016Online video sharing: an alternative channel for film distribution? Copyright enforcement, censorship, and Chinese independent cinema11 cited
  • 2021Realist Cinema as World Cinema9 cited
  • 2020Postmodernism, identity and mission continuity in the Church of Christ in Zimbabwe7 cited
  • 2013Flashes of the Sword and the Star0 cited

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