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:Shakespeare and Theatrical Patronage in Early Modern England
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  • 2010What’s So Special about 1594?47 cited
  • 2008Work and Play on the Shakespearean Stage45 cited
  • 2004The Cambridge History of British Theatre34 cited
  • 2005Henry Carey's Peculiar Letter33 cited
  • 2012Three's Company: Alternative Histories of London's Theatres in the 1590s26 cited
  • 2012Reading Between the Acts: Satire and the Interludes in The Knight of the Burning Pestle23 cited
  • 2008Chambers on the Revels Office and Elizabethan Theater History23 cited
  • 2017Shakespeare, Popularity and the Public Sphere19 cited
  • 2004The Stuart masque and its makers17 cited
  • 2018Alarums:Edward IIand the Staging of History15 cited
  • 2011Henry VIII, Shakespeare, and the Jacobean Royal Court13 cited
  • 2018Richard Jones,Tamburlaine the Great,and the Making (and Remaking) of a Serial Play Collection in the 1590s12 cited
  • 2018Marlowe in Miniature:Dido, Queen of Carthageand the Children of the Chapel Repertory12 cited
  • 2004The condition of the theatres in 164211 cited
  • 2012Measure for Measureand the Problem of Popularity9 cited

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  • 2009Paratexts in Francis Beaumont's The Knight of the Burning Pestle7 cited