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Correspondance (1872-1918)
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Correspondance (1872-1918) (2006)Correspondance (1872-1918)Reverie, Schmaltz, and the Modernist Imagination (2021)Reverie, Schmaltz, and the Mo…Climax as Orgasm: On Debussy’s ‘L’isle Joyeuse’ (2019)Climax as Orgasm: On Debussy’…Riemann in France: Jean Marnold and the “Modern” Music-Theoretical Ear (2016)Riemann in France: Jean Marno…The Operas of Maurice Ravel (2015)The Operas of Maurice RavelDebussy the Man, His Music, and His Legacy: An Overview of Current Research (2012)Debussy the Man, His Music, a…A Study on Hysteria: Reinterpreting the Heroine of Debussy's Pelleas et Melisande (2010)A Study on Hysteria: Reinterp…In Search of Opera (2002)The Cambridge Companion to Debussy (2003)Musical exoticism: images and reflections (2009)It’s My Party (2024)Studies on Hysteria (1895)The Female Malady: Women, Madness, and English Culture, 1830-1980 (1986)Feminine Endings: Music, Gender, and Sexuality (1992)Dictionnaire de musique (1913)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Knowledge in Transit (2004)Style in Language (1962)Western music and its others : difference, representation, and appropriation in music (2000)Children's Thinking (2005)Mapping Ravel’s “La vallée des cloches” (2020)Orchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel’sBoléro (2020)Narrating Masculinity in the Dance Contest from Ravel'sDaphnis et Chloé (2021)Three Essays on the Theory of Sexuality (1905)Sexual Behavior in the Human Female (1954)Musique et sexualité (2021)The Transfiguration of the Commonplace, a Philosophy of Art (1981)After the Great Divide: Modernism, Mass Culture, Postmodernism (1987)The New Modernist Studies (2008)
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Cited by

  • 2012Debussy the Man, His Music, and His Legacy: An Overview of Current Research9 cited
  • 2015The Operas of Maurice Ravel7 cited
  • 2019Climax as Orgasm: On Debussy’s ‘L’isle Joyeuse’5 cited
  • 2010A Study on Hysteria: Reinterpreting the Heroine of Debussy's Pelleas et Melisande4 cited
  • 2021Reverie, Schmaltz, and the Modernist Imagination4 cited
  • 2016Riemann in France: Jean Marnold and the “Modern” Music-Theoretical Ear4 cited

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