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History Films, Women, and Freud's Uncanny
0 references·3 citing·13 second hop
History Films, Women, and Freud's Uncanny (2004)History Films, Women, and Freud's UncannyPerforming the Uncanny: Psychoanalysis, Aesthetics and the Digital Double (2018)Performing the Uncanny: Psych…The Gendered Geometry of War in Kathryn Bigelow’s The Hurt Locker (2008) (2014)The Gendered Geometry of War …The Sublime, the Ineffable, and Other Dangerous Aesthetics (2008)The Sublime, the Ineffable, a…Powers of Horror: An Essay on Abjection (1984)Women, Fire, and Dangerous Things (1987)Postmodernism, or, The cultural logic of late capitalism (1991)(Re)Considering the Priestess: Clara Schumann, Historiography, and the Visual (2017)Music and the Sonorous Sublime in European Culture, 1680–1880 (2020)The Ineffable (and Beyond) (2020)2. The Interpretation of Dreams (1913)Between Men (1985)Camera Lucida: Reflections on Photography (2001)Dramas, Fields, and Metaphors: Symbolic Action in Human Society (1975)Unmarked: The Politics of Performance (1994)Economic and Political Weekly (2017)Digitizing Intangible Cultural Heritage Embodied: State of the Art (2022)
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  • 2008The Sublime, the Ineffable, and Other Dangerous Aesthetics40 cited
  • 2014The Gendered Geometry of War in Kathryn Bigelow’s The Hurt Locker (2008)4 cited
  • 2018Performing the Uncanny: Psychoanalysis, Aesthetics and the Digital Double4 cited

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