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Cited by

• 2010Anthropologies of the United States77 cited
• 2014Fields, Genres, Brands44 cited
• 2012Sentiments of Disdain and Practices of Distinction: Boundary-Work, Subjectivity, and Value in the Hindi Film Industry41 cited
• 2014Music, Power, and Practice37 cited
• 2008Marginalization from Within: Expanding Co-cultural Theory Through the Experience of the Afro Punk32 cited
• 2011Listening for Willie Mae “Big Mama” Thornton’s Voice: The Sound of Race and Gender Transgressions in Rock and Roll25 cited
• 2010Popular music, identity, and sexualization: A latent class analysis of artist types22 cited
• 2021Parodies for a pandemic: coronavirus songs, creativity and lockdown19 cited
• 2015Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–201317 cited
• 2019“Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content15 cited
• 2007"Localize It": Rock, Cosmopolitanism, and the Nation in Trinidad15 cited
• 2011“Doin' Our Thing”: Identity and Colonial Modernity in Okinawan Rock Music14 cited
• 2020On theory, citational practices and personal accountability in the study of music and affect13 cited