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Music in the Collective Experience in Sixteenth-Century Milan
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Music in the Collective Experience in Sixteenth-Century Milan (2023)Music in the Collective Experience in Six…Singing on the Street and in the Home in Times of Pestilence: Lessons from the 1576–78 Plague of Milan (2018)Singing on the Street and in …Plague and Music in the Renaissance (2017)Plague and Music in the Renai…THESAURUS LITANIARUM: THE SYMBOLISM AND PRACTICE OF MUSICAL LITANIES IN COUNTER-REFORMATION GERMANY (2015)THESAURUS LITANIARUM: THE SYM…Vocal performance in the twentieth century and beyond (2012)Vocal performance in the twen…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerPerformance in the Renaissance: an overview (2012)Performance in the Renaissanc…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Musical performance in the twentieth century and beyond: an overview (2012)Musical performance in the tw…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the Renaissance (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…Instrumental performance in the ‘long eighteenth century’ (2012)Instrumental performance in t…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Saints and Society: The Two Worlds of Western Christendom, 1000-1700 (1983)4. A Performative Approach to Ritual (1985)Institutes of the Christian Religion (1993)The King's Two Bodies: A Study in Mediaeval Political Theology (1958)Ritual: Perspectives and Dimensions (1999)Porous skin: Breathing through the prism of the holey body (2019)Functions of Music Making Under Lockdown: A Trans-Historical Perspective Across Two Pandemics (2020)Rabelais and his world (2020)Viral tunes: changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown (2021)The Ceremonial City: History, Memory and Myth in Renaissance Venice (2008)Dirty Books: Quantifying Patterns of Use in Medieval Manuscripts Using a Densitometer (2010)Religion and the COVID-19 pandemic: mediating presence and distance (2022)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)O novo estado da arte dos estudos em performance (2020)
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Cited by

  • 2017Plague and Music in the Renaissance25 cited
  • 2018Singing on the Street and in the Home in Times of Pestilence: Lessons from the 1576–78 Plague of Milan24 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited
  • 2015THESAURUS LITANIARUM: THE SYMBOLISM AND PRACTICE OF MUSICAL LITANIES IN COUNTER-REFORMATION GERMANY2 cited
  • 2012Performance in the Renaissance: an overview2 cited
  • 2012Vocal performance in the twentieth century and beyond2 cited
  • 2012Instrumental performance in the ‘long eighteenth century’2 cited
  • 2012Musical performance in the twentieth century and beyond: an overview2 cited
  • 2012Instrumental performance in the Renaissance2 cited

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