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The Narrator, the Expositor, and the Prompter in European Medieval Theatre
0 references·3 citing·10 second hop
The Narrator, the Expositor, and the Prompter in European Medieval Theatre (2007)The Narrator, the Expositor, and the Prom…ThePlateaPre- and Postmodern: A Landscape of Medieval Performance Studies (2013)ThePlateaPre- and Postmodern:…What Did It Mean to Act in the Middle Ages?: Elisabeth of Spalbeek and Imitatio Christi (2011)What Did It Mean to Act in th…Prompting Voice in Opera (2011)Prompting Voice in OperaWriting and Difference (1980)Untwisting the Serpent: Modernism in Music, Literature and Other Arts (2002)Stage Fright, Animals, and Other Theatrical Problems (2006)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)The Heritage Crusade and the Spoils of History (1998)Mysticism and religious traditions (1983)From The Book of Margery Kempe (1436) (1996)Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer (2003)Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama (2017)
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  • 2011What Did It Mean to Act in the Middle Ages?: Elisabeth of Spalbeek and Imitatio Christi5 cited
  • 2011Prompting Voice in Opera5 cited
  • 2013ThePlateaPre- and Postmodern: A Landscape of Medieval Performance Studies3 cited

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