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Neo-Muzak and the Business of Mood
3 references·16 citing·48 second hop
Neo-Muzak and the Business of Mood (2015)Neo-Muzak and the Business of MoodOn the Fetish Character in Music and the Regression of Listening (2020)On the Fetish Character in Mu…Sounds like the Mall of America: Programmed Music and the Architectonics of Commercial Space (1997)Sounds like the Mall of Ameri…Muzak: On functional music and power (1992)Muzak: On functional music an…An algorithmic event: The celebration and critique of Spotify Wrapped (2025)An algorithmic event: The cel…Molchat Doma and the Birth of the Influencer (2024)Molchat Doma and the Birth of…Background Music Cultures in Finnish Urban Life (2024)Background Music Cultures in …Rampant Abstraction as a Strategy of Singularization: Genre on Spotify (2023)Rampant Abstraction as a Stra…Experimentation in and with the Stream: Music, Mood Management and Affect (2022)Experimentation in and with t…Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation (2021)Where Does the Buck Stop? Eth…The promise of personalisation: Exploring how music streaming platforms are shaping the performance of class identities and distinction (2021)The promise of personalisatio…Stereophonica (2021)StereophonicaPerfect Pitch (2021)Perfect PitchPacifica Radio’s Music from the Hearts of Space and the Ambient Sound of California’s New Age (2021)Pacifica Radio’s Music from t…The Long History of the 2017 Spotify “Fake Music” Scandal (2020)The Long History of the 2017 …Mood playlists, biopower, and the “functional turn” in online media: What happens when a pre-digital social control technology is transferred to the internet? (2020)Mood playlists, biopower, and…Genres as Social Affect: Cultivating Moods and Emotions through Playlists on Spotify (2019)Genres as Social Affect: Cult…More of the Same – On Spotify Radio (2017)More of the Same – On Spotify…Discovering Spotify - A Thematic Introduction (2017)Discovering Spotify - A Thema…Song as Paraphrase (2015)Song as ParaphraseDiscipline and Punish: The Birth of the Prison (1978)Noise: The Political Economy of Music (1986)Discipline and Punish: The Birth of the Prison. (1996)The "Illusion of Life" rhetorical perspective: an integrated approach to the study of music as communication (2001)Ecology of Sound: The Sonic Order of Urban Space (2007)A qualitative investigation into the characteristics and effects of music accompanying exercise (2008)Discipline and Punish: The Birth of the Prison. (1978)A Thousand Plateaus: Capitalism and Schizophrenia (1989)‘When You're Trying Something on You Picture Yourself in a Place Where They are Playing This Kind of Music’ — Musically Sponsored Agency in the British Clothing Retail Sector (2000)The Sounds of Science: Listening to Laboratory Practice (2005)Soundscapes: Toward a Sounded Anthropology (2010)Distinction: A Social Critique of the Judgement of Taste* (2018)Programmed visions: software and memory (2012)The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies (2014)To Save Everything, Click Here: The Folly of Technological Solutionism (2014)If the Song has No Price, is it Still a Commodity? : Rethinking the Commodification of Digital Music (2017)"First week is editorial, second week is algorithmic": platform gatekeepers and platformization of music curation (2019)Fra plate til plattform (2021)Genre as social action (1984)Music in Everyday Life (2000)Parables for the Virtual (2002)Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South (2020)Deep-Learning-Based Multimodal Emotion Classification for Music Videos (2021)Multimodal Emotion Recognition with Deep Learning: Advancements, challenges, and future directions (2023)A New Algorithmic Identity (2011)Categorizing Sound (2016)Spotify Teardown (2019)‘Another conspiracy about a royalty-free song’: Library music in contemporary political discourse (2024)Distinction: A Social Critique of the Judgement of Taste. (1985)Handbook of Theory and Research for the Sociology of Education. (1987)Changing Highbrow Taste: From Snob to Omnivore (1996)How does involvement build loyalty towards music-streaming platforms? A multi-analytical SEM-ANN technique (2022)Emotional Resonance and Identity Recognition in Chinese Late Adolescent Digital Music Consumption (2023)Mirroring the inequalities of mainstream music platforms: popularity, revenue, and monetization strategies on Bandcamp (2024)Information technology and dataveillance (1988)Selection Bias in Web Surveys (2010)Tweeting From Left to Right (2015)Rethinking music technology pedagogy: A New Zealand focus (2022)Mapping artificial intelligence research in the cultural and creative industries: A systematic bibliometric review (2026)Techniques of the observer: on vision and modernity in the nineteenth century (1991)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)Expulsions: brutality and complexity in the global economy (2014)The Principles of Psychology (1891)Sorting Things Out (1999)Digital Flows (2024)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Medium, Messenger, Transmission (2015)Medium, Messenger, Transmission: An Approach to Media Philosophy (2015)
this work references cited by second hop

References

  • 1997Sounds like the Mall of America: Programmed Music and the Architectonics of Commercial Space270 cited
  • 2020On the Fetish Character in Music and the Regression of Listening129 cited
  • 1992Muzak: On functional music and power83 cited

Cited by

  • 2019Genres as Social Affect: Cultivating Moods and Emotions through Playlists on Spotify79 cited
  • 2021Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation64 cited
  • 2021Stereophonica47 cited
  • 2021The promise of personalisation: Exploring how music streaming platforms are shaping the performance of class identities and distinction42 cited
  • 2020The Long History of the 2017 Spotify “Fake Music” Scandal29 cited
  • 2023Rampant Abstraction as a Strategy of Singularization: Genre on Spotify22 cited
  • 2017Discovering Spotify - A Thematic Introduction21 cited
  • 2017More of the Same – On Spotify Radio21 cited
  • 2021Perfect Pitch11 cited
  • 2020Mood playlists, biopower, and the “functional turn” in online media: What happens when a pre-digital social control technology is transferred to the internet?11 cited
  • 2024Background Music Cultures in Finnish Urban Life9 cited
  • 2024

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Molchat Doma and the Birth of the Influencer
5 cited
  • 2025An algorithmic event: The celebration and critique of Spotify Wrapped4 cited
  • 2022Experimentation in and with the Stream: Music, Mood Management and Affect4 cited
  • 2015Song as Paraphrase4 cited
  • 2021Pacifica Radio’s Music from the Hearts of Space and the Ambient Sound of California’s New Age3 cited