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Operatic Migrations: Transforming Works and Crossing Boundaries
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  • 2015Delirious Hopes: Napoleonic Milan and the Rise of Modern Italian Operatic Criticism23 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 2012Introduction: opera studies today11 cited
  • 2010Le travail à l’œuvre: Enquête sur l’autorité contingente du créateur dans l’art lyrique9 cited
  • 2012Genre and poetics8 cited
  • 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
  • 2015Foreign Opera at the London Playhouses: From Mozart to Bellini6 cited
  • 2010“Dixie Carmen ”: War, Race, and Identity in Oscar Hammerstein's Carmen Jones (1943)6 cited
  • 2012Voices and singers6 cited
  • 2012Opera and gender studies5 cited
  • 2012The dramaturgy of opera5 cited
  • 2012‘An exotic and irrational entertainment’: opera and our others; opera as other4 cited

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2012
The operatic work: texts, performances, receptions and repertories
4 cited