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Cited by

• 2013Glastonbury: managing the mystification of festivity54 cited
• 2013To Paris and Back: Violeta Parra's Transnational Performance of Authenticity37 cited
• 2012‘The Age of the Beatles’: Parliament and Popular Music in the 1960s18 cited
• 2012Oral/Aural Culture in Late Modern Society?: Traditional Singing as Professionalized Genre and Oral-Derived Expression6 cited
• 2007Déjà Vu? Folk Music, Education, and Institutionalization in Contemporary England6 cited
• 2010Desire, Drink and Death in English Folk and Vernacular Song, 1600–19006 cited
• 2013An Aural Tradition with a Pause Button? The Role of Recording Technology in a North East English Folk Session5 cited
• 2016The mobilising of the German 1848 protest song tradition in the context of international twentieth-century folk revivals4 cited
• 2017What Can Political Rock Do? A Discussion Based on the Example of the Tom Robinson Band 1976-19793 cited
• 2019Anything goes? Recognising norms, leadership and moderating behaviours at folk clubs in England3 cited