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Fakesong. The Manufacture of British 'Folksong' 1700 to the Present Day
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  • 2012Nazi punks folk off: leisure, nationalism, cultural identity and the consumption of metal and folk music53 cited
  • 2006Vernacular music-making and education46 cited
  • 2015The Textualization of Homeric Epic by Means of Dictation39 cited
  • 2005Vernacular culture and the place of folk music36 cited
  • 2016Making an English Voice: Performing National Identity during the English Musical Renaissance32 cited
  • 2019Language, the Singer and the Song26 cited
  • 2011'It wants all the creases ironing out': Percy Grainger, the Folk Song Society, and the Ideology of the Archive24 cited
  • 2021The Ballad-Singer in Georgian and Victorian London22 cited
  • 2006Gathering the voices of the people? Cecil Sharp, cultural hybridity, and the folk music of Appalachia22 cited
  • 2009Continuity, change and performativity in leisure: English folk dance and modernity 1900–193922 cited
  • 1993The ‘social history’ of popular music: a label without a cause?21 cited
  • 2012Keeping Sweden Swedish: Folk Music, Right-Wing Nationalism, and the Immigration Debate20 cited
  • 1991The lark ascending: monument to a radical pastoral20 cited
  • 2006Dating Orality, Thinking Balladry: Of Milkmaids and Minstrels in 1771

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19 cited
  • 2015Poem Into Song18 cited
  • 2006Revivals on the Edge: Northumberland and Cape Breton—A Keynote17 cited