References

No references inside the corpus for this window.

Cited by

• 2018Making the Land Known:Henry IV, Parts 1 and 2and the Literature of Perambulation63 cited
• 2011Court Hieroglyphics: the Idea of the Cipher in Ben Jonson’s Masques56 cited
• 2014Geographies of Performance in the Early Modern Midlands54 cited
• 2019Performances at Court in the Age of Shakespeare39 cited
• 2011The myth of Rome in Shakespeare and his contemporaries18 cited
• 2019Jacobean Royal Premieres?17 cited
• 2019Pericles: A Performance, a Letter (1619)16 cited
• 2021Ovid and the Liberty of Speech in Shakespeare's England15 cited
• 2018Travel and Drama in Early Modern England15 cited
• 2018The Converted Robber, or Stonehenge, a Pastoral14 cited
• 2018Seeing and Overseeing the Stage as Map in Early Modern Drama13 cited
• 2014The Masque and the Matrix: Alice Egerton, Richard Napier, and Suffocation of the Mother7 cited
• 2018Theatre and the English Public from Reformation to Revolution7 cited
• 2017Performing Blackface Pregnancy at the Stuart Court:The Masque of BlacknessandLove’s Mistress, or the Queen’s Masque5 cited
• 2015The “Play-Boy,” the Female Performer, and the Art of Portraying a Lady