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Still Lifes: Techniques and Style : An Examination of Paintings from the Rijksmuseum
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Still Lifes: Techniques and Style : An Examination of Paintings from the Rijksmuseum (2000)Still Lifes: Techniques and Style : An Ex…Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius (2019)Combined Micro- and Macro sca…Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources (2017)Jan Davidsz. de Heem (1606–16…Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)Identification by Raman spect…Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Pigment Compendium (2008)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)A computational model for chemo-mechanical degradation of historical oil paintings due to metal soap formation (2019)Out of the blue: Vermeer’s use of ultramarine in Girl with a Pearl Earring (2020)Reviving degraded colors of yellow flowers in 17th century still life paintings with macro- and microscale chemical imaging (2022)Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy (1996)Pigment Compendium: A Dictionary of Historical Pigments (2007)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)Study of dry‐ and wet‐process amorphous arsenic sulfides: Synthesis, Raman reference spectra, and identification in historical art materials (2018)Degradation of red lead pigment in the oil painting during UV aging (2019)Evidence of early amorphous arsenic sulfide production and use in Edo period Japanese woodblock prints by Hokusai and Kunisada (2019)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Imaging secondary reaction products at the surface of Vermeer’s Girl with the Pearl Earring by means of macroscopic X-ray powder diffraction scanning (2019)Damages Induced by Synchrotron Radiation-Based X-ray Microanalysis in Chrome Yellow Paints and Related Cr-Compounds: Assessment, Quantification, and Mitigation Strategies (2020)Two Pathways for the Degradation of Orpiment Pigment (As 2 S 3 ) Found in Paintings (2023)
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  • 2017Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments51 cited
  • 2019Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius40 cited
  • 2017Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources31 cited

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