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Strains of Change: The Impact of Tourism on Hawaiian Music
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Strains of Change: The Impact of Tourism on Hawaiian Music (1987)Strains of Change: The Impact of Tourism …The Political Economy of Music and Sound (2019)The Political Economy of Musi…IT SOUNDS BETTER IN THE BAHAMAS (2019)IT SOUNDS BETTER IN THE BAHAM…Hawaiian Music in Motion (2014)Hawaiian Music in MotionSteelin' the Slide: Hawai'i and the Birth of the Blues Guitar (2013)Steelin' the Slide: Hawai'i a…THE AUDIO-VISION OF FOUND-FOOTAGE FILM AND VIDEO (2007)THE AUDIO-VISION OF FOUND-FOO…STRANGE PEOPLE, WEIRD OBJECTS: (2007)STRANGE PEOPLE, WEIRD OBJECTS:PARADOXES OF PASTICHE: (2007)PARADOXES OF PASTICHE:MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY (2007)MUSIC VIDEO AND SYNAESTHETIC …ELVIS FROM THE WAIST UP AND OTHER MYTHS: (2007)ELVIS FROM THE WAIST UP AND O…1. Illustrating Music (2007)1. Illustrating MusicHawaiians on Tour: Hula Circuits Through the American Empire (2004)Hawaiians on Tour: Hula Circu…BALINESE MUSIC, TOURISM AND GLOBALISATION: INVENTING TRADITIONS WITHIN AND ACROSS CULTURES (2002)BALINESE MUSIC, TOURISM AND G…Sudden Rush: Na Mele Paleoleo (Hawaiian Rap) as Liberatory Discourse (2001)Sudden Rush: Na Mele Paleoleo…Packaging Paradise: Consuming Hawaiian Music (1999)Packaging Paradise: Consuming…What's Mine is Yours? Cultural Borrowing in a Pacific Context (1996)What's Mine is Yours? Cultura…Is the "Tahitian" Drum Dance Really Tahitian? Re-Evaluating the Evidence for the Origins of Contemporary Polynesian Drum Dance (1992)Is the "Tahitian" Drum Dance …The Predicament of Culture (1988)Representation: Cultural representations and signifying practices. (1997)Experience economy in the making: Hedonism, play and coolhunting in automotive song lyrics (2010)Exploring the role of discourse in marketing and consumer research (2014)Sonic branding: A consumer-oriented literature review (2015)Black Skin, White Masks (2023)Decolonising the Mind: The Politics of Language in African Literature (1987)Modernity at Large: Cultural Dimensions of Globalization. (1998)Routes: Travel and Translation in the Late Twentieth Century. (1998)Teaching with the Flow: Fixity and fluidity in education (2005)"Bloodline Is All I Need": Defiant Indigeneity and Hawaiian Hip-Hop (2011)When hip-hop meets CMC: digital discourse in Nigerian hip-hop (2020)Staging Tourism: Bodies on Display from Waikiki to Sea World (1999)Segregating sound: inventing folk and pop music in the age of Jim Crow (2010)Aloha Betrayed: Native Hawaiian Resistance to American Colonialism (2017)The Mixed Plate: A Field Experience on the Cultural and Environmental Diversity of the Big Island of Hawai'i (2017)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Dancing to a Disco Beat?: Children, Teenagers, and the Localizing of Popular Music in Bali (2010)The Location of Culture (2012)Music and (Touristic) Meaning on Cruise Ships: The Musicscape of the MV Carnival Paradise as a Semiotic Tourism Product (2014)Before the Horror: The Population of Hawai'i on the Eve of Western Contact (1990)Inalienable possessions: the paradox of keeping-while-giving (1993)“Aloha Spirit” and the Cultural Politics of Sentiment as National Belonging (2008)Re-membering Panalā'au: Masculinities, Nation, and Empire in Hawai'i and the Pacific (2008)Aloha State Apparatuses (2015)A voyage of discovery to the north Pacific Ocean, and round the world; (1801)How "Natives" Think About Captain Cook, for Example. (1996)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Distinction: A Social Critique of the Judgement of Taste. (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)“The Most Terrific Sandbox”: Music Video Directors, Style, and the Question of the Auteur (2008)The Dialogic Imagination: Four Essays (1981)Homo Sacer (2020)War in Rapanui Music: A History of Cultural Representation (2006)Migration and Transnationalism: Pacific Perspectives (2009)Plesand Popular Music Production: A Typology of Home-based Recording Studios in Port Moresby, Papua New Guinea (2014)The Many Faces of K‐pop Music Videos: Revues, Motown, and Broadway in “Twinkle” (2016)Transgressing boundaries between film and music videos: Smarzowski, Kolski, and music videos in Poland (2019)Unruly vision, synesthetic space: drone music videos (2020)
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Cited by

  • 2004Hawaiians on Tour: Hula Circuits Through the American Empire91 cited
  • 2014Hawaiian Music in Motion45 cited
  • 1996What's Mine is Yours? Cultural Borrowing in a Pacific Context39 cited
  • 2013Steelin' the Slide: Hawai'i and the Birth of the Blues Guitar22 cited
  • 2001Sudden Rush: Na Mele Paleoleo (Hawaiian Rap) as Liberatory Discourse22 cited
  • 1999Packaging Paradise: Consuming Hawaiian Music22 cited
  • 2007PARADOXES OF PASTICHE:19 cited
  • 2002BALINESE MUSIC, TOURISM AND GLOBALISATION: INVENTING TRADITIONS WITHIN AND ACROSS CULTURES17 cited
  • 2007MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY14 cited
  • 2019The Political Economy of Music and Sound10 cited
  • 1992Is the "Tahitian" Drum Dance Really Tahitian? Re-Evaluating the Evidence for the Origins of Contemporary Polynesian Drum Dance10 cited
  • 20071. Illustrating Music9 cited
  • 2019IT SOUNDS BETTER IN THE BAHAMAS9 cited
  • 2007THE AUDIO-VISION OF FOUND-FOOTAGE FILM AND VIDEO8 cited
  • 2007STRANGE PEOPLE, WEIRD OBJECTS:7 cited

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2007
ELVIS FROM THE WAIST UP AND OTHER MYTHS:
4 cited